Best Lenses under CA$700 for video production

Best Pick

Nikon NIKKOR AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR 40mm

75.3 Video/Cinema Score
18-140mmf/3.5Nikon FIS
Why we recommend this

Its 18–140mm focal range (27–210mm equivalent) pairs with 4-stop Vibration Reduction and a Silent Wave Motor for sharp, quiet autofocus across wide-angle to mid-telephoto. Super Integrated Coating and one extra-low dispersion element cut flare and color fringing, delivering high contrast in a compact 490g build. This all-in-one zoom suits DX shooters who need one grab-and-go lens for events, portraits, and close-up details without swapping glass.

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Price CA$650
Nikon NIKKOR AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR 40mm lens

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Sigma Art 24-105mm f/4 DG OS HSM

57.8 Video/Cinema Score
24-105mmf/22Nikon FIS
Why we recommend this

The constant f/4 aperture across a 24-105mm range, paired with a complex 19-element optical design using FLD and SLD glass, delivers sharp, aberration-free images for high-resolution Nikon F bodies. Its Hyper Sonic Motor and Optical Stabilizer provide fast, quiet autofocus and effective shake compensation, while the bundled filter kit adds immediate shooting value. This lens is best for landscape and travel photographers needing a single, durable full-frame zoom that balances optical performance with everyday versatility.

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spovan HPL-N-2

49.7 Video/Cinema Score
Nikon FIS
Why we recommend this

This 0.25mm pinhole lens projects a soft-focus, vignette-heavy image with unlimited depth of field onto any Nikon F-mount DSLR, producing the distinct Holga lo-fi look straight out of camera. Weighing just 50g and needing no batteries or software, it mounts directly for film-free photographs without developing costs or hassle. It suits experimental photographers and street shooters who value immediate, analog-inspired character over sharpness and technical precision.

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Samyang CS SY16M-C 16mm

49.3 Video/Cinema Score
16mmf/2Nikon F
Why we recommend this

A bright f/2.0 maximum aperture and optics with two aspherical and one extra-low dispersion element produce sharp, flare-resistant images in this manual-focus wide-angle lens. The 24mm equivalent perspective and precise focus ring provide deliberate control for deep depth-of-field landscapes and low-light scenes. Astrophotographers and Nikon APS-C landscape shooters looking for an affordable, fast prime will find it a sturdy, no-compromise option.

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Samyang CS SY16M-C 16mm lens
Price CA$512

Nikon NIKKOR Z 50mm f/1.4 50mm

66.4 Video/Cinema Score
50mmf/16Nikon FWeather Sealed
Why we recommend this

The bright f/1.4 maximum aperture and Silent Wave Motor deliver strong low-light performance and fast, quiet autofocus on Nikon F-mount bodies. Its compact 280g build and 9-blade diaphragm produce a pleasing, rounded bokeh for subject isolation without adding bulk. This lens is best for portrait and street photographers who need a lightweight prime with shallow depth-of-field control.

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Nikon NIKKOR Z 50mm f/1.4 50mm lens
Price CA$274

Nikon TC-14E III 70-200mm

59.6 Video/Cinema Score
70-200mmNikon FISWeather Sealed
Why we recommend this

Extends AF-S NIKKOR lens reach by 40% with only a one-stop exposure loss, turning a 70–200mm f/2.8 into a 98–280mm f/4 while preserving VR and metering. The fluorine-coated elements and weather-resistant barrel hold up in harsh conditions, and at 190g it adds minimal bulk. Best for wildlife and sports photographers using Nikon F-mount DSLRs who need extra focal length without carrying a second heavy telephoto lens.

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Samyang 35mm f/1.4 AS UMC 35mm

48.8 Video/Cinema Score
35mmf/1.4Nikon F
Why we recommend this

Its manual focus design paired with an AE chip for auto exposure and focus confirmation on full-frame Nikon F bodies sets it apart as a versatile 35mm f/1.4 prime. The hybrid aspherical and two high-refractive elements, combined with UMC coating, ensure sharp, high-contrast images even wide open. This lens is best for portrait photographers and deliberate street shooters who value precise manual control and a bright f/1.4 aperture over autofocus speed.

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Samyang AF MF 85mm f/1.4 WS Mk2 85mm

46.4 Video/Cinema Score
85mmf/16Nikon FWeather Sealed
Why we recommend this

With a fast f/1.4 maximum aperture, Ultrasonic Dual Linear USM autofocus, Ultra Multi-Coating, and a 9-blade diaphragm, this lens captures sharp portraits with smooth bokeh. Its lightweight 485g build and weather sealing make it a portable choice for travel and on-location shoots. Ideal for Canon EF full-frame portrait photographers needing fast, shallow depth-of-field work without heavy gear.

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Samyang AF MF 85mm f/1.4 WS Mk2 85mm lens
Price CA$682

Laowa 1180039

45.2 Video/Cinema Score
14mmf/4Nikon F
Why we recommend this

Its 14mm focal length provides a 114° angle of view with near-zero distortion, achieved through two aspherical and two extra-low dispersion elements. The lens weighs just 360g and features a calibratable focusing scale for precise manual focus, while its 5.7-inch minimum focus distance enables strong foreground emphasis. This is ideal for architectural and landscape photographers who need a compact, distortion-free ultra-wide prime with manual control.

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Tokina atx-i 17-35mm f/4 FF 35mm

45 Video/Cinema Score
17-35mmf/22Nikon FWeather Sealed
Why we recommend this

A constant f/4 aperture and weather-sealed build pair with three aspherical and two ED elements for consistent edge-to-edge sharpness across the 17-35mm range. The one-touch focus clutch instantly switches between AF and MF, while the 9-blade diaphragm provides smooth out-of-focus rendering at close distances. This lens is best for Nikon F-mount landscape and architecture photographers needing a lightweight 569g zoom that focuses down to 280mm for 1:4.7 magnification near-far compositions.

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Tokina 10-17mm f/3.5-4.5 AT-X 107 DX AF Fisheye 17mm

43.6 Video/Cinema Score
17mmf/3.5Nikon F
Why we recommend this

Offering a rare zoom range for a fisheye, this lens covers 10-17mm on Nikon DX bodies with an f/3.5-4.5 aperture, enabling both extreme wide views and tighter compositions. At just 349g with a 140mm minimum focus and 1:2.56 max magnification, it doubles as a light, creative macro tool with a solid 4.5-star user rating. This lens suits APS-C shooters who want a playful, close-focusing fisheye for experimental portraits and close-ups rather than traditional landscape work.

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Big Mike's BM-SLY420NK-K2 420-1600mm

43.5 Video/Cinema Score
420-1600mmf/8.3Nikon FIS
Why we recommend this

The 420-1600mm zoom range and constant f/8.3 aperture offer extreme reach in a lightweight 989g body, but the lens is entirely manual focus with no electronic communication. Its F-mount compatibility spans a wide range of Nikon DSLRs, making it a low-cost entry point for super-telephoto photography. This lens is best for budget-conscious Nikon DSLR users who are comfortable with manual focus and want to experiment with long-distance wildlife or sports shots in good light.

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Kase 200mm f/5.6 MC Reflex Mirror 200mm

41.1 Video/Cinema Score
200mmf/5.6Nikon F
Why we recommend this

Its catadioptric design delivers a 200mm telephoto reach in a remarkably compact 384g body, while the multicoated optical glass and fixed f/5.6 aperture produce a distinctive donut-shaped bokeh for full-frame Nikon F sensors. The all-manual, mirror-based construction eliminates chromatic aberration and offers a unique rendering at a budget-friendly price point. This lens is best for portrait photographers and outdoor enthusiasts who prioritize lightweight portability and creative bokeh effects over autofocus speed.

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Sigma TC-1401

39.8 Video/Cinema Score
Nikon FWeather Sealed
Why we recommend this

Extending the reach of compatible Sigma telephoto lenses by 1.4x without sacrificing autofocus capability, this converter maintains full electronic communication between the lens and Nikon F-mount body. Its compact design preserves handling balance while adding versatility to your existing kit. This accessory is best for portrait and wildlife photographers needing extra focal length without investing in a dedicated super-telephoto prime lens.

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IRIX Firefly 11mm f/4

37.6 Video/Cinema Score
11mmf/22Nikon FWeather Sealed
Why we recommend this

The 11mm focal length, constant f/4 aperture, and advanced optic layout with three aspherical and two ED elements ensure sharp, rectilinear images free of distortion, housed in a weather-sealed magnesium alloy body. A manual focus mechanism includes a focus lock, UV fluorescent engraved markings, and a rounded nine-blade diaphragm for precise control and smooth bokeh. This lens suits architectural and interior photographers who demand a rugged, weather-resistant ultra-wide prime for detailed, field-based work.

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Rokinon 10mm f/2.8 ED AS NCS CS 10mm

32.6 Video/Cinema Score
10mmf/22Nikon F
Why we recommend this

Its 10mm f/2.8 focal length combined with Nano Crystal Coating, ED and two aspherical elements delivers 110-degree edge-to-edge coverage on APS-C Nikon bodies, aided by an AE chip for auto metering. The manual-focus lens includes built-in stabilization and an inner focusing system that maintains a constant length while enabling a 9.5-inch close-focus distance for near-macro shots. This lens is best for architectural and landscape photographers who need dramatic ultra-wide perspectives, as well as journalists working in confined spaces.

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Rokinon 10mm f/2.8 ED AS NCS CS 10mm lens
Price CA$410

Best Lenses under CA$1,500 for video production

Best Pick

Tamron SP 24-70mm f/2.8 Di VC USD G2

65.2 Video/Cinema Score
24-70mmf/22Nikon FISWeather Sealed
Why we recommend this

The constant f/2.8 aperture combined with 5-stop Vibration Compensation and a sophisticated 17-element optical design with eBAND coatings delivers sharp, high-contrast images in challenging light. Its weather-sealed, moisture-resistant construction and fluorine-coated front element provide durability for field use without a premium price tag. This lens is best for landscape and travel photographers who need a reliable, stabilized standard zoom with full-frame coverage.

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Price CA$1,215
Tamron SP 24-70mm f/2.8 Di VC USD G2 lens

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Rokinon Cine 24mm T1.5 Cine ED AS IF UMC 24mm

60 Video/Cinema Score
24mmf/1.5Nikon F
Why we recommend this

Its fast T1.5 aperture and multi-layer coated optics deliver strong low-light performance and controlled flaring for a 24mm full-frame cine lens. The manual focus and de-clicked aperture ring provide smooth, precise control for rack focusing, housed in a lightweight 55g body with a common 77mm filter thread. This lens is best for independent filmmakers and videographers needing an affordable, wide-angle prime for narrative work on Canon EF mount cameras.

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Sigma EX DC HSM 10-20mm f/3.5 20mm

58.9 Video/Cinema Score
10-20mmf/22Nikon FIS
Why we recommend this

A constant f/3.5 aperture across the 10-20mm zoom range provides consistent exposure control, supported by 3 ED and 4 aspherical elements to curb distortion. The HSM autofocus motor delivers quiet, fast focusing, while the built-in stabilization aids handheld shooting in tight interiors. This lens is best for APS-C landscape photographers needing an ultra-wide perspective without the bulk, weighing just 520g.

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Best Lenses under CA$2,000 for video production

Best Pick

Nikon NIKKOR 24mm f/1.4G ED 24mm

81.3 Video/Cinema Score
24mmf/1.4Nikon FWeather Sealed
Why we recommend this

The f/1.4 aperture combined with Nano Crystal Coating and ED glass delivers exceptional low-light performance and sharpness with controlled flares. Its durable weather-sealed build and 12-blade diaphragm produce a painterly look with expressive bokeh and subtle highlight blooms. This lens is best for portrait and video shooters using Nikon F-mount DSLRs who need a wide-angle prime with organic rendering and shallow depth of field.

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Laowa Aurogon FF 10-50x Supermicro 10-50mm

46.2 Video/Cinema Score
10-50mmNA0.5Nikon F
Why we recommend this

Featuring a 50:1 maximum magnification and a 20mm fixed working distance, it uses NA 0.5 optics with full-frame coverage to resolve microscopic detail. Interchangeable magnification tubes let you dial from 10x to 50x without swapping lenses, streamlining extreme macro workflows. This lens is best for scientific researchers and industrial inspectors who need extreme close-up imaging on a Nikon F-mount system.

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Best Lenses under CA$3,500 for video production

Best Pick

Tamron Di VC USD 100-400mm f/4.5-6.3

70.8 Video/Cinema Score
100-400mmf/4.5Nikon FISWeather Sealed
Why we recommend this

Its magnesium alloy construction and 4-stop Vibration Compensation enable sharp, handheld shooting at 400mm without adding heft. The lens's 1.5m minimum focus distance and 1:3.6 maximum magnification deliver close-up detail rarely found in super-telephoto zooms. This lens best suits travel and wildlife photographers who need a compact, weather-sealed option for all-day handheld use.

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Nikon NIKKOR Z 24-70mm f/2.8 S

57.1 Video/Cinema Score
24-70mmf/22Nikon FWeather Sealed
Why we recommend this

The constant f/2.8 aperture and internal zoom mechanism, a first for its class, maintain the lens's center of gravity for stable gimbal use while its Nano Crystal Coat and ED elements suppress flare and ghosting. Its optical formula delivers sharpness and pleasing bokeh in a weather-sealed, 900g body that is smaller and lighter than typical 24-70mm f/2.8 lenses. This lens is best for landscape photographers and video shooters who need a durable, stabilized workhorse zoom with silent, fast autofocus.

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Nikon NIKKOR Z 24-70mm f/2.8 S lens
Price CA$2,326

Zeiss Milvus 15mm f/2.8 ZF.2 15mm

34.3 Video/Cinema Score
15mmf/22Nikon FWeather Sealed
Why we recommend this

The Distagon optical design with 5 ED and 2 aspherical elements delivers distortion-controlled, sharp 15mm images with the ZEISS T* coating effectively suppressing flare. Its all-metal, weather-sealed build and de-clickable aperture ring offer a precise, tactile manual focus experience for video and stills. This lens is best for landscape and architecture photographers using Nikon F-mount who prioritize optical precision and robust build over autofocus convenience.

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Nikon 20069

52.7 Video/Cinema Score
28mmf/16Nikon FWeather Sealed
Why we recommend this

The f/1.4 maximum aperture combined with three aspherical and two ED elements delivers exceptional sharpness and contrast even wide open, with Nano Crystal Coatings effectively suppressing flare. Its weather-sealed, 645g build houses a fast Silent Wave Motor for reliable autofocus, making it a durable tool for demanding environments. This lens is best for professional event and wedding photographers who need a bright, wide-angle prime with robust build quality for low-light, full-frame F-mount work.

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Premium Lenses for video production

Best Pick

Nikon NIKKOR AF-S 500mm F/5.6E PF ED VR 500mm

67.5 Video/Cinema Score
500mmf/5.6Nikon FISWeather Sealed
Why we recommend this

A Phase Fresnel element and magnesium alloy build shrink this 500mm prime to just 3.2 lbs, enabling handheld shooting with 4-stop Vibration Reduction. Its Nano Crystal Coat and three ED elements deliver high contrast and sharpness across the frame, even wide open at f/5.6. This lens is best for wildlife and sports photographers who need a lightweight, full-frame super-telephoto for extended field use.

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Price CA$4,072
Nikon NIKKOR AF-S 500mm F/5.6E PF ED VR 500mm lens

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Sigma 185955

42.6 Video/Cinema Score
500mmf/32Nikon FISWeather Sealed
Why we recommend this

The constant f/4 aperture combined with two FLD and one SLD element delivers exceptional clarity and chromatic aberration correction, while the magnesium alloy body provides a dust- and splash-proof build at 3310g. Its optical stabilization offers a 4-stop advantage, and the Hyper Sonic Motor provides fast, accurate autofocus that excels in challenging low-light conditions. This lens is best for wildlife and sports photographers who need a durable, hand-holdable 500mm prime with full-frame coverage and reliable weather sealing for extended outdoor shoots.

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Zeiss Otus 100mm f/1.4 ZF.2 100mm

31.7 Video/Cinema Score
100mmf/16Nikon F
Why we recommend this

The apochromatic Sonnar design incorporates 9 low-dispersion and 1 aspherical element, minimizing color fringing at f/1.4 with Zeiss T* anti-reflective coating. Its anodized metal barrel, 1336g weight, and long manual focus throw provide deliberate, vibration-free control ideal for tripod-based work. This lens is best for portrait and product photographers who will sacrifice autofocus and weather sealing for maximal sharpness across the frame.

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