Best Lenses under CA$700 for video production

Best Pick

Sigma Contemporary 30mm f/1.4 DC DN 30mm

85.3 Video/Cinema Score
30mmf/1.4Nikon FWeather Sealed
Why we recommend this

The bright f/1.4 aperture and 45mm full-frame equivalent field of view make this a versatile normal prime for APS-C shooters, delivering strong subject separation and low-light capability. Its compact 265g build includes weather sealing at the mount and a stepping motor for quiet, smooth autofocus that benefits video recording. This lens is best for street and travel photographers who prioritize a lightweight, fast-aperture setup with dependable autofocus.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Nikon NIKKOR 2213 18-140mm

75.3 Video/Cinema Score
18-140mmf/3.5Nikon FIS
Why we recommend this ▼

Its 18–140mm focal range (27–210mm equivalent) pairs with 4-stop Vibration Reduction and a Silent Wave Motor for sharp, quiet autofocus across wide-angle to mid-telephoto. Super Integrated Coating and one extra-low dispersion element cut flare and color fringing, delivering high contrast in a compact 490g build. This all-in-one zoom suits DX shooters who need one grab-and-go lens for events, portraits, and close-up details without swapping glass.

View Details & Prices

Opteka OPT43x55 55mm

50.2 Video/Cinema Score
55mmNikon FIS
Why we recommend this ▼

The 0.43x adapter converts a 55mm lens into a 7.5-23.65mm ultra-wide, capturing a 130-degree view for tight interior and architecture shots. Its detachable 10x macro lens lets you focus as close as 3 inches, adding close-up capability without extra bulk. Best for photographers who want a budget-friendly, compact way to shoot both wide interiors and macro details with a 55mm threaded lens.

View Details & Prices

HOLGA HL-C 60mm

49.9 Video/Cinema Score
60mmf/8Nikon FIS
Why we recommend this ▼

Its plastic 60mm meniscus lens and fixed f/8 aperture deliver distinctive vignetting, blur, and light leaks directly in-camera, bypassing any editing software. This lightweight 30g lens mounts natively to any Nikon F-mount DSLR, producing soft, dark-cornered images with a unique analog character that cannot be replicated digitally. It’s best for experimental photographers who want unpredictable, lo-fi portrait effects without post-processing.

View Details & Prices

Sigma DC 883101 18mm

63.9 Video/Cinema Score
18-250mmf/3.5Nikon FIS
Why we recommend this ▼

An expansive 13.9x zoom range (27–375mm equivalent on APS‑C) with 4‑stop stabilization and a lightweight 454g body defines this all-in-one superzoom. A 1:2.9 macro capability allowing focus as close as 35cm adds close‑up versatility, while the Super Multi‑Layer Coating reduces flare for consistent contrast. This lens is ideal for travelers and hobbyists on Canon, Nikon, or Sony APS‑C DSLRs who need a single, portable optic covering everything from wide landscapes to distant details with occasional macro.

View Details & Prices

Sigma TC-1401

53 Video/Cinema Score
Nikon FISWeather Sealed
Why we recommend this ▼

Extending the reach of compatible Sigma telephoto lenses by 1.4x without sacrificing autofocus capability, this converter maintains full electronic communication between the lens and Nikon F-mount body. Its compact design preserves handling balance while adding versatility to your existing kit. This accessory is best for portrait and wildlife photographers needing extra focal length without investing in a dedicated super-telephoto prime lens.

View Details & Prices

Raynox DCR-250 250mm

45.7 Video/Cinema Score
250mmCanon EF, Canon EF,Nikon F(DX),Sony Alpha
Why we recommend this ▼

The snap-on universal mount clips onto lenses with 52–67mm filter threads, instantly converting a telephoto zoom into a high-magnification macro tool without dedicated optics. Its lightweight, clip-on design eliminates the need for a dedicated macro lens, making extreme close-up photography accessible at a fraction of the cost. This is best for hobbyist photographers wanting to explore super macro detail with their existing zoom lens, rather than investing in a specialized system.

View Details & Prices

Sigma B00005RKST

45.3 Video/Cinema Score
28mmf/1.8Nikon F
Why we recommend this ▼

The 28mm f/1.8 aperture with a 1:2.9 macro reproduction ratio and 200mm minimum focus distance sets this Sigma apart for close-up wide-angle shots. Its 9-blade diaphragm and dual-focus mechanism deliver smooth bokeh and stable manual control, while the internal focus system keeps the front element still for polarizers. Best for Nikon F shooters who want a fast, wide prime for portraits and occasional macro work, though its 500g weight and lack of stabilization limit travel use.

View Details & Prices

Big Mike's BM-SLY420NK-K2 420-1600mm

45 Video/Cinema Score
420-1600mmf/8.3Nikon FIS
Why we recommend this ▼

The constant f/8.3 aperture across its 420-1600mm zoom range provides consistent exposure, aided by an included 2X teleconverter for extreme reach. Its lightweight 989g build and multi-coated optical glass offer surprising portability and flare reduction for a super-telephoto lens at a minimal cost. This lens is best for budget-conscious Nikon DSLR wildlife photographers who need massive focal length from a stationary position and can work within its manual focus and fixed aperture limitations.

View Details & Prices

NEEWER LS-40 40-200mm

43.9 Video/Cinema Score
40-200mmCanon EF, Nikon F, Sony EIS
Why we recommend this ▼

The NEEWER LS-40 is a clip-on macro adapter that turns your existing telephoto lens into a macro lens, with a 40-200mm focal range and a 49mm filter thread. Its 3-element HD optical glass with anti-reflective coatings minimizes glare, while the anodized aluminum body and dual quick-lock buttons make it durable and easy to attach. Best for hobbyist photographers who want an affordable way to try macro close-ups without investing in a dedicated macro lens.

View Details & Prices

Digital Nc CNEF3514LII91549B 67mm

43.4 Video/Cinema Score
67mmSony E, Nikon F, Canon EF, Pentax K, Olympus, Panasonic, FujifilIS
Why we recommend this ▼

A 3.5x telephoto conversion lens with all-glass multicoated optics and autofocus, it multiplies your existing zoom range for closer shots. It accepts 72mm filters, includes a lens pouch and caps, and is built from aluminum with a matte black finish. Best for sports and event shooters who want extra reach without upgrading their primary lens.

View Details & Prices

BM Premium High-Power 420-800mm f/8.3 HD Manual Telephoto 420mm

38.4 Video/Cinema Score
420-800mmf/8.3Nikon FIS
Why we recommend this ▼

The 420-800mm f/8.3 zoom range provides extreme reach for distant subjects, using multi-coated optical glass and a fixed f/8.3 aperture on a Nikon F-mount body. Its fully manual focus and built-in stabilization demand deliberate handling, while the 62mm filter thread allows for protective or enhancing filters. This lens suits budget-conscious wildlife and sports hobbyists who prioritize focal length over autofocus speed and are comfortable shooting on a tripod.

View Details & Prices

Hila 3658W-P600-62

37.4 Video/Cinema Score
52mmNikon F
Why we recommend this ▼

The 0.42x fisheye conversion lens attaches to a 52mm filter thread and turns a Nikon Coolpix P600's 18-55mm zoom into a 7.56-23.1mm ultra-wide, with a 180-degree picture angle and macro capability down to 1/4 inch. Its all-glass multicoated optics and extreme-speed autofocus make it a practical add-on for video or photography, though it lacks stabilization and weather sealing. Best for Coolpix P600 owners who want an affordable way to capture wide sports, nature, or architecture shots without buying a dedicated fisheye lens.

View Details & Prices

Yongnuo YN 35mm f/2 35mm

36.7 Video/Cinema Score
35mmf/22Nikon F
Why we recommend this ▼

Weighing just 155g, this 35mm f/2 prime offers full-frame coverage for Nikon F mount with a multi-coated 7-element optical design. Its ultra-quiet digital stepping motor and compact build make it a discreet, lightweight option for everyday shooting. This lens is best for budget-conscious Nikon DSLR users wanting a standard walkaround prime for general photography and travel.

View Details & Prices

Retropia Repurposed Disposable DSLR Camera 45mm

35.2 Video/Cinema Score
45mmf/11Nikon FIS
Why we recommend this ▼

This lens stands out by repurposing disposable camera optics into a compact 32mm pancake with a fixed f/11 aperture, delivering a guaranteed soft-focus, film-like aesthetic straight out of a Nikon F-mount DSLR. Its sustainable build from recycled components eliminates editing time while adding nostalgic imperfections to every shot. This is best for portrait photographers and content creators who prioritize an instant, vintage look over technical sharpness.

View Details & Prices

Laowa 25mm f/2.8 2.5-5X Ultra Macro 25mm

33.2 Video/Cinema Score
25mmf/16Nikon F
Why we recommend this ▼

Reaching 5:1 magnification with a 1.6-inch working distance and one ED element, this lens captures sharp, color-accurate extreme macro images. Its 400g slim profile and 25mm focal length afford greater depth of field and easier lighting space than telephoto macros. This lens suits enthusiasts photographing sub-centimeter subjects like insect eyes or jewelry textures on full-frame Canon EF bodies.

View Details & Prices

Best Lenses under CA$1,500 for video production

Best Pick

Tamron SP 24-70mm f/2.8 Di VC USD G2

63.4 Video/Cinema Score
24-70mmf/22Nikon FISWeather Sealed
Why we recommend this

The constant f/2.8 aperture combined with 5-stop Vibration Compensation and a sophisticated 17-element optical design with eBAND coatings delivers sharp, high-contrast images in challenging light. Its weather-sealed, moisture-resistant construction and fluorine-coated front element provide durability for field use without a premium price tag. This lens is best for landscape and travel photographers who need a reliable, stabilized standard zoom with full-frame coverage.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 50mm f/1.4 DG HSM 50mm

59.9 Video/Cinema Score
50mmf/16Nikon FWeather Sealed
Why we recommend this ▼

The 14-element optical design with three ED and one aspherical element delivers exceptional sharpness and suppresses aberrations even at its bright f/1.4 maximum aperture. Its robust, weather-sealed metal build and smooth, ring-type HSM autofocus system offer a premium handling experience that belies its price point. This lens is best for portrait and studio photographers using Nikon F-mount DSLRs who demand critical image quality and shallow depth of field control without the cost of first-party optics.

View Details & Prices

Tokina AT-X 11-16mm PRO DXII N/AF

45.9 Video/Cinema Score
11-16mmf/22Nikon F
Why we recommend this ▼

Its constant f/2.8 aperture across the 11-16mm zoom range provides consistent brightness for low-light interiors and astrophotography, paired with a 9-blade diaphragm for smooth background rendering. The optical design uses two aspherical and two SD elements with multi-coating to suppress flare and aberrations, while the one-touch focus clutch allows instant switching between autofocus and manual focus. This lens is best for DX-format Nikon shooters needing an affordable, fast ultra-wide zoom for real estate, landscape, and event work.

View Details & Prices

Sigma EX DC HSM 10-20mm f/3.5

57.7 Video/Cinema Score
10-20mmf/22Nikon FIS
Why we recommend this ▼

A constant f/3.5 aperture across the 10-20mm zoom range provides consistent exposure control, supported by 3 ED and 4 aspherical elements to curb distortion. The HSM autofocus motor delivers quiet, fast focusing, while the built-in stabilization aids handheld shooting in tight interiors. This lens is best for APS-C landscape photographers needing an ultra-wide perspective without the bulk, weighing just 520g.

View Details & Prices

Best Lenses under CA$2,000 for video production

Best Pick

Tokina opera TOK50NIK 50mm

63.3 Video/Cinema Score
50mmf/1Nikon FISWeather Sealed
Why we recommend this

The f/1.4 maximum aperture and 9-blade diaphragm deliver sharp, edge-to-edge resolution with smooth bokeh, while the ring-shaped ultrasonic motor ensures fast, quiet autofocus. Its weather sealing and ELR coating reduce flare and protect against dust, making it a robust choice for outdoor shoots. Best for portrait photographers using high-resolution Nikon F full-frame DSLRs who need consistent optical quality in challenging light.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Zeiss Milvus 21mm f/2.8 ZF.2 21mm

43.4 Video/Cinema Score
21mmf/22Nikon FWeather Sealed
Why we recommend this ▼

Its Distagon optical design with five anomalous partial dispersion elements and ZEISS T* coating delivers distortion-free, high-contrast images with exceptional 4.9-star rated build quality in a weather-sealed, all-metal barrel. The manual focus ring offers long, precise throw with a de-clickable aperture for smooth, silent iris adjustments during video work. This lens is best for landscape and architecture photographers using Nikon F-mount who prioritize optical precision and tactile, deliberate control over autofocus speed.

View Details & Prices

Best Lenses under CA$3,500 for video production

Best Pick

Tamron SP 15-30mm f/2.8 Di VC USD G2

54.8 Video/Cinema Score
15-30mmf/22Nikon FISWeather Sealed
Why we recommend this

The constant f/2.8 aperture combined with a 4.5-stop Vibration Compensation system enables sharp handheld shooting in challenging light, while the advanced optical design with XGM and LD elements minimizes distortion across the 15-30mm zoom range. Its moisture-resistant construction and fluorine coating provide durability for harsh outdoor conditions, making it a practical choice for field work. This lens is best for landscape and travel photographers using Nikon F-mount who need a rugged, stabilized ultra-wide zoom with strong edge-to-edge sharpness.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Nikon NIKKOR Z 14-24mm f/2.8 S 24mm

48.9 Video/Cinema Score
14-24mmf/22Nikon FWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture across the 14-24mm zoom range, paired with four ED and three aspherical elements, delivers consistent brightness and sharpness for ultra-wide shots. Its weather-sealed build, fluorine coating, and programmable control ring with an OLED panel make it a durable and customizable tool for field work. This lens is best for landscape and interior photographers who need a rugged, fast wide-angle zoom for their Nikon Z cameras.

View Details & Prices

Premium Lenses for video production

Best Pick

Sigma Sports 185955 500mm

42.6 Video/Cinema Score
500mmf/32Nikon FISWeather Sealed
Why we recommend this

The constant f/4 aperture combined with two FLD and one SLD element delivers exceptional clarity and chromatic aberration correction, while the magnesium alloy body provides a dust- and splash-proof build at 3310g. Its optical stabilization offers a 4-stop advantage, and the Hyper Sonic Motor provides fast, accurate autofocus that excels in challenging low-light conditions. This lens is best for wildlife and sports photographers who need a durable, hand-holdable 500mm prime with full-frame coverage and reliable weather sealing for extended outdoor shoots.

View Details & Prices