Best Sony Lenses Under CA$1,500 in 2026
Sony G SEL2450G 24-50mm
Great Alternatives
These options also score highly and may better suit your specific needs
Sony FE SELP1635G 16-35mm
Why we recommend this ▼
The power zoom uses four XD Linear Motors for smooth focal length changes, paired with a constant F4 aperture and optics with two Advanced Aspherical and one Super ED element to control distortion. Weighing just 353g with a constant physical length, it offers independent zoom, focus, and aperture rings for flexible control. Its lightweight power zoom design suits solo video shooters and content creators capturing handheld wide-angle footage.
Sony G Master SEL100M28GM 100mm
Why we recommend this ▼
Achieving the first 1.4x maximum magnification in a G Master lens, this 100mm f/2.8 macro pairs four XD Linear AF motors with internal focusing for rapid, silent close-up acquisition. Optical SteadyShot stabilization and a weather-sealed, 646g build add handheld confidence, while the 11-blade aperture and Nano AR coating ensure smooth bokeh and flare control. It’s best for macro specialists capturing extreme details of insects, flowers, or product textures at greater-than-life-size reproduction.
Sony E SEL18135 18-135mm
Why we recommend this ▼
An 18–135mm zoom with Optical SteadyShot, housed in a mere 11.5‑ounce body, delivers a truly grab‑and‑go versatility. Its linear‑motor autofocus is quick and silent, while the f/3.5–5.6 aperture yields smooth background blur for casual portraits. With a strong 90.4 budget score, this lens is ideal for travel photographers who want a single, stabilized optic covering wide landscapes to telephoto candids.
Sony APSARA LUMIERE Simmod APSARA LUMIERE 35mm T1.4 Super Speed 35mm
Why we recommend this ▼
Delivering a T1.4 maximum aperture with a 12-blade iris for expressive bokeh, the lens offers organic rendering and controlled flares inspired by vintage glass. Its compact, 678g housing includes 0.8 MOD gears with a 270° focus rotation and a low-profile illuminated focus mark for precise manual control. This lens suits independent cinematographers shooting narrative or music video work on full-frame Sony E-mount who value painterly image character and rig-friendly operation over autofocus or travel portability.
Sony Beetle 45mm T3.2 1.33x 45mm
Why we recommend this ▼
This full-frame 45mm anamorphic lens uses a 1.33x squeeze to deliver cinemascope widescreen and, with a button press, rotates 90° for vertical capture without rigging, all at a fixed T3.2 aperture. It’s an ultracompact 266g design with 0.8 mod gearing and a 200° focus rotation for precise manual pulling, producing signature silver flares and oval bokeh. Best for solo filmmakers documenting street portraits or vertical-first social content, though landscape shooters will find the 460mm minimum focus limiting.
Sony Remus-M REM33-E 33mm
Why we recommend this ▼
The T1.8 aperture and 16-blade iris produce pronounced oval bokeh and smooth focus falloff, while the 1.5x squeeze delivers a 2.4:1 widescreen image with subtle silver flares from full-frame 3:2 coverage. Its compact, lightweight cine-style body and 77mm filter thread offer practical rigging despite lacking weather sealing. This lens is best for indie filmmakers and music video directors seeking an accessible, character-driven anamorphic look on Sony E-mount cameras.
Sony MANTIS Blazar 100mm
Why we recommend this ▼
The 1.33x anamorphic squeeze on this full-frame 100mm prime delivers a wide 2:1 aspect ratio with signature oval bokeh from its 14-blade iris. Its T2.4 aperture and amber lens flare produce pronounced cinematic character and depth without digital manipulation. This lens is best for narrative filmmakers and music video directors seeking vintage, widescreen aesthetics on Sony E-mount cameras.
