Best Pick

Tamron Di III A058 35-150mm

86.3 Portrait Score
35-150mm f/2 Sony E Weather Sealed
Why we recommend this

Covering a unique 35-150mm range with a fast f/2-2.8 aperture, this full-frame zoom eliminates the need for multiple prime lenses. Its weather-sealed construction, fluorine coating, and rapid VXD autofocus deliver reliable performance in challenging conditions at a competitive price. Best for portrait and event photographers who want a bright, versatile zoom without sacrificing critical image quality or speed.

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Price CA$1,999
Tamron Di III A058 35-150mm lens

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 24-70mm f/2.8 DG DN II 24-70mm

72.5 Portrait Score
24-70mm f/2.8 Sony E Weather Sealed
Why we recommend this

A constant f/2.8 aperture across the 24-70mm zoom range pairs with fast HLA autofocus and dust/splash-resistant construction. The aperture ring with click and lock switches and a 6.7-inch minimum focusing distance add tactile control and close-up flexibility. This lens suits event and portrait shooters who prioritize a weather-sealed, precise standard zoom over macro capability.

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Sigma Art 24-70mm f/2.8 DG DN II 24-70mm lens
Price CA$1,595

Sony G Master SEL14F18GM 14mm

62.6 Portrait Score
14mm 16 Sony E Weather Sealed
Why we recommend this

At just 460g, the 14mm f/1.8 GM combines an ultra-wide 114° angle of view with a fast aperture, using XD Linear Motors for silent, responsive autofocus. Its weather-sealed build and Nano AR Coating II suppress flare and ghosting, delivering exceptional sharpness across the frame even in backlit conditions. This lens is best for astrophotographers and landscape photographers who need a portable, ultra-wide prime with superb resolution and minimal flare.

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Sony G Master SEL14F18GM 14mm lens
Price CA$1,998

KIPON Colibri 24mm T2.5 24mm

40.4 Portrait Score
24mm 16 Sony E
Why we recommend this

Full-frame coverage and a compact 484g body combine with a T2.5 aperture and a 10-blade iris for unique star-shaped bokeh, aided by a precise 300° focus throw. Its lightweight design and consistent color rendition across the Colibri series simplify gimbal and multi-camera shoots. This lens suits indie filmmakers and content creators needing a wide-angle prime with a creative bokeh signature for interviews and narrative work.

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Tamron Di III VC 50-400mm f/4.5-6.3 VXD 50-400mm

70.9 Portrait Score
50-400mm f/4.5 Sony E IS Weather Sealed
Why we recommend this

An 8x zoom range from 50mm to 400mm, fast VXD autofocus, and built-in stabilization make this lens a versatile telephoto option in a compact 7.2-inch body. Beyond telephoto, its 1:2 maximum magnification at the tele end allows for close-up detail work, and weather sealing adds durability for outdoor shooting. It’s an ideal all-in-one lens for budget-conscious travelers and wildlife photographers needing a single solution for landscapes, distant subjects, and macro-like close-ups.

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Tamron Di III VC 50-400mm f/4.5-6.3 VXD 50-400mm lens
Price CA$1,541

Sony FE SEL50F14Z 50mm

54.1 Portrait Score
50mm 16 Sony E Weather Sealed
Why we recommend this

The wide f/1.4 aperture and ZEISS T* coating, paired with a 12-element optical design incorporating two aspherical and one ED element, deliver sharp, flare-resistant images with strong low-light performance. A weather-sealed barrel and a fast, near-silent Ring Drive SSM autofocus motor ensure reliable operation and precise focus for both stills and 4K video capture. This lens is an ideal tool for portrait photographers who demand smooth, rounded 11-blade bokeh at a classic 50mm focal length.

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Sony MANTIS Blazar 25mm

27.1 Portrait Score
25mm T22 Sony E
Why we recommend this

A fast T2.0 aperture and 1.33x anamorphic squeeze deliver a wide field of view with the signature oval bokeh from its 14-blade iris on full-frame sensors. The 180-degree focus throw and consistent 80mm front diameter across the set streamline matte box use, while the interchangeable mount system offers broad camera compatibility. This manual-focus prime is best for controlled-set cinematographers building a cohesive anamorphic look for narrative or music video work.

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