No Lenses under CA$700 yet. See our top picks under CA$3,500

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Best Lenses under CA$3,500 for macro

Best Pick

Fujifilm GF GF20-35mmF4 R WR 35-28mm

45 Macro Score
20-35mmf/22Fujifilm GWeather Sealed
Why we recommend this

Delivering a 16-28mm full-frame equivalent field of view for the 100MP GFX system, this lens packs 3 aspherical and 4 ED elements into a compact 725g, weather-sealed body. Its constant f/4 aperture and Nano GI coating produce sharp, distortion-free results in a package no larger than a full-frame lens, while the fluorine-coated front element resists water and dust. This is the ideal ultrawide zoom for GFX landscape and architecture photographers who need rugged, high-resolution performance in challenging outdoor conditions.

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Premium Lenses for macro

Best Pick

Fujifilm GF 32-90mm T3.5 PZ OIS WR 90mm

53.4 Macro Score
32-90mmf/32Fujifilm GISWeather Sealed
Why we recommend this

Combining medium-format coverage with a constant T3.5 aperture and a versatile 25-71mm equivalent range, this lens stands out for its internal zoom, focus, and iris motors with 0.8 MOD gears for seamless cine integration. Optical image stabilization and a 13-blade iris ensure smooth handheld footage and rounded bokeh in a fully weather-sealed build. This is best for landscape cinematographers and documentary crews needing a single, stabilized parfocal zoom for large-format sensor rigs.

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Great Alternatives

These options also score highly and may better suit your specific needs

Fujifilm Fujinon GF 600023617 30mm

35.9 Macro Score
30mmf/32Fujifilm G
Why we recommend this

Offering ±15mm shift and ±10° tilt with medium-format coverage, this 30mm prime delivers precise perspective control for architecture and product photography. Its 16-element optical design with three aspherical and three ED elements ensures edge-to-edge sharpness across the large GFX sensor, while the 0.21x magnification allows close-up detail work. This manual-focus lens is best for architectural photographers and studio professionals who require extensive movements to correct distortion and control depth of field.

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