Best Pick

Canon RF RF 28-70mm f/2.8 IS STM 28-70mm

84.3 Score
28-70mm f/28 Canon RF IS Weather Sealed
Why we recommend this

A constant f/2.8 aperture, 5.5‑stop stabilization, and weather sealing are packed into a collapsible 771g body, offering rare portability for a full‑frame standard zoom. The optical design employs two UD and two aspherical elements with electronic distortion correction to deliver sharp results while keeping the lens compact. Best for travel and everyday photographers who need a versatile, stabilized f/2.8 zoom but can overlook its modest portrait scores.

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Price CA$1,499
Canon RF RF 28-70mm f/2.8 IS STM 28-70mm lens

Great Alternatives

These options also score highly and may better suit your specific needs

Canon EF-S 18-200mm f/3.5-5.6 IS 18-200mm

79.9 Score
18-200mm f/3.5 Canon EF-S IS
Why we recommend this

A refurbished all-in-one zoom spanning 18–200mm (29–320mm equivalent) with 4-stop optical stabilization ensures shake-free framing even at full telephoto. Its compact build focuses down to 0.45m for 0.24x magnification and the certified refurbished condition provides like-new performance at a budget-friendly price. It’s best for travelers and vloggers needing a single, lightweight lens to capture wide landscapes and distant details without swapping glass.

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Canon EF-S 18-200mm f/3.5-5.6 IS 18-200mm lens
Price CA$958

Canon L EF 17-40mm USM 40mm

59.8 Score
40mm f/4 Canon EF
Why we recommend this

Combining L-series build quality with a constant f/4 aperture, this 17-40mm zoom delivers consistent exposure across its range and features a Super UD element with three aspherical elements to curb aberrations. Its weather-sealed, 499g body and ring-type USM motor provide silent, fast autofocus with full-time manual override, making it a durable and portable wide-angle option. This lens is best for full-frame landscape and architecture shooters who need a rugged, affordable ultra-wide zoom with a constant aperture.

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Canon Beetle Blazar 32mm

56.4 Score
32-65mm T3.2 Canon RF
Why we recommend this

This three-lens set pairs a 1.33x anamorphic squeeze with constant T3.2 aperture across 32mm, 45mm, and 65mm focal lengths, covering full-frame Canon RF sensors in a lightweight 286g body. The lenses produce classic silver flares and oval bokeh, and a dedicated button rotates the mount 90° for instant vertical capture, while 0.8 mod gearing with 200° focus rotation ensures precise manual pulls. Indie filmmakers and social content creators who need a compact anamorphic kit for gimbal-mounted shoots and vertical-first platforms.

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Canon RF-S RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm

49.3 Score
4mm 16 Canon RF
Why we recommend this

The dual-fisheye design captures stereoscopic 3D 180° VR video with a 144° field of view, optimized for the EOS R7’s APS-C sensor via a 3.9mm focal length and STM autofocus. Bundled with a Pro Sling Backpack, its 72g weight and robust optical design make field shoots effortless. Ideal for VR content creators and wedding videographers needing immersive, Quest 2-compatible 3D footage without complex rigs.

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Canon RF-S RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm lens
Price CA$1,499

Canon APSARA LUMIERE Simmod APSARA LUMIERE 75mm T1.4 Super Speed 75mm

42.5 Score
75mm 16 Canon RF
Why we recommend this

The T1.4 maximum aperture and 18-blade iris produce expressive bokeh and subtle highlight blooms with organic, controlled flares on full-frame Canon RF sensors. A 270° focus throw, 0.8 MOD gears, and a soft, low-profile focus mark light ensure precise manual operation, even though the lens weighs 780g and lacks stabilization. This cine lens excels for macro and portrait video work, scoring 51.7 and 45.5 respectively, but is not designed for travel due to its low 18.5 travel score.

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Canon L-series EF 135mm f/2L USM 135mm

41 Score
135mm f/135 Canon EF
Why we recommend this

Combining an f/2 maximum aperture with two ED elements and Super Spectra coating, this L-series 135mm prime provides sharp subject isolation and smooth bokeh. The ring-type USM autofocus is fast and quiet, while its 127-gram weight is unusually low for a bright telephoto lens, enhancing all-day portability. It’s ideal for street and portrait shooters who need to compress perspective and separate subjects from busy backgrounds.

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