Canon EF-S 10-22mm f/3.5-4.5 USM
The 16-35.2mm equivalent focal range and constant f/3.5 aperture make this an ultrawide workhorse for APS-C DSLRs, delivering expansive perspectives without variable exposure. The bundled kit adds practical value with a 77mm filter set, backpack, and 64GB SD card for a complete out-of-the-box shooting solution. This lens is best for landscape and architecture photographers who need a rectilinear ultrawide zoom on a budget.
요약
The 30-Second Version
The best ultra-wide zoom Canon ever made for EF-S mount, with build quality that still beats most modern glass. Skip it if you need macro or shoot in the dark.
Pros & Cons
장점
- Best-in-class build quality for an EF-S ultra-wide 96th
- Snappy, quiet USM autofocus 93rd
- Excellent 10-22mm range for street and architecture 82nd
- 77mm filter thread means cheap, easy filter swaps 81st
단점
- Macro performance is a real letdown
- f/3.5-4.5 aperture struggles in low light
- Only 6 aperture blades, bokeh is mediocre
- Social proof is thin, few reviews out there
근거 자료
Performance
The optical performance is a standout, landing well above average in our rankings. Three aspherical elements and one ED element keep distortion and fringing in check, and the Super Spectra coating does its job against flare. But the real surprise is the build. At 100g and with a 77mm filter thread, it feels substantial without being a brick. The USM motor is fast and quiet, and the stabilization is solid, though not class-leading. The f/3.5-4.5 aperture is fine for daylight but gets tight indoors. Macro is a weak spot, one of the worst we've seen for this type of lens, so don't expect close-up work.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 10 |
| Focal Length Max | 22 |
| Elements | 13 |
| Groups | 10 |
| Aspherical Elements | 3 |
| ED Elements | 1 |
| Coating | Super Spectra coating |
Aperture
| Max Aperture | f/3.5 |
| Min Aperture | 3.5-4.5 |
| Constant | No |
| Diaphragm Blades | 6 |
Build
| Mount | Canon EF-S |
| Format | APS-C |
| Weight | 0.1 kg / 0.2 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | USM |
| Stabilization | Yes |
vs Competition
Against the Sigma Contemporary 16-300mm f/3.5-6.7 DC OS, the Canon wins on build and autofocus but loses on range and versatility. The Sigma is a do-everything superzoom, while the Canon is a specialist. The Sony E 18-135mm f/3.5-5.6 OSS is sharper in the mid-range and has better stabilization, but it starts at 18mm, which isn't truly ultra-wide on APS-C. If you need the 10mm end, the Canon is the only real choice here. The Tamron 28-300mm and Panasonic 12-35mm aren't even in the same conversation for APS-C Canon shooters.
| Spec | Canon EF-S 10-22mm f/3.5-4.5 USM | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Nikon NIKKOR 20059 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 10-22mm | 28-300mm | 16-300mm | 18-55mm | 12-35mm | 18-135mm |
| Max Aperture | f/3.5 | f/4 | f/3.5 | f/3.5 | f/2.8 | f/3.5 |
| Mount | Canon EF-S | Sony E | Sony E | Nikon F | Micro Four Thirds | Sony E |
| Stabilization | true | true | true | true | true | true |
| Weather Sealed | false | true | true | false | true | false |
| Weight (g) | 100 | 590 | 615 | 205 | 306 | 326 |
| AF Type | USM | VXD linear motor | HLA | pulse stepping motor | Autofocus | Linear motor |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| 제품 | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | 사용자 평판 | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Canon EF-S 10-22mm f/3.5-4.5 USM | 93.1 | 60.3 | 95.9 | 11.9 | 81.4 | 81.9 | 74.8 | 20.6 | 79.2 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 82.5 | 62.4 | 83.1 | 96.3 | 70.5 | 97.9 | 50.6 | 79.2 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 53.9 | 88.4 | 60.9 | 85.1 | 99.1 | 81.9 | 99.7 | 80.5 | 99.2 |
| Nikon NIKKOR 20059 Compare | 84.5 | 80.2 | 83.2 | 95.2 | 54 | 81.9 | 82.8 | 85.9 | 92.2 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 85.7 | 83.3 | 48.1 | 86 | 87.6 | 80.4 | 85.9 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 80.2 | 70.4 | 36.7 | 77.7 | 81.9 | 95.8 | 90.6 | 79.2 |
가격
Value & Pricing
Pricing is all over the place right now. We're seeing USD 352 to USD 729 across three US listings, which is a massive spread. The Newegg bundle with the filter kit and backpack is the best deal if you need the extras, but if you already have filters and a bag, hunt for the bare lens closer to the USD 352 end. At that price, it's a steal. At USD 729, you're paying too much for a lens this old.
더 보기
Overview
The Canon EF-S 10-22mm f/3.5-4.5 USM is one of those lenses that just gets the job done for APS-C shooters who want real wide-angle coverage without selling a kidney. The 16-35.2mm equivalent range is the sweet spot for street work, architecture, and tight interiors. Our database puts its build quality near the top of the charts, and the USM autofocus is snappy enough that you'll forget it's even working. The headline here is simple: this is the best ultra-wide zoom Canon ever made for EF-S mount, and it still holds up years later.
Common Questions
Q: Will this lens work on a full-frame Canon body?
No. It's EF-S mount, which means APS-C only. On a full-frame body it either won't mount or you'll get heavy vignetting. Stick with APS-C bodies like the Rebel series or 7D.
Q: Is the f/3.5-4.5 aperture good enough for indoor shooting?
Barely. You'll want to crank ISO or use a flash. For dim interiors, a prime like a 24mm f/2.8 or a speedlight is a better bet. This lens shines outdoors in daylight.
Q: Does the bundle with the filter kit and backpack actually save money?
Depends on the price. If the bundle is within USD 50-75 of the bare lens, the filters and bag are worth it. If it's USD 100+ more, buy the lens alone and get better filters separately.
Who Should Skip This
If you're looking for a do-everything travel zoom, this isn't it. Go get the Sigma 16-300mm instead. If you shoot macro or need low-light performance, look at a fast prime. And if you're on full-frame, this lens is useless to you, get the EF 16-35mm f/4L instead.
Verdict
If you shoot Canon APS-C and want a true ultra-wide zoom, this is the lens to get. The build is top-tier, autofocus is excellent, and the 10-22mm range is exactly what you need for street, landscape, and interiors. Just don't expect macro or low-light heroics. Buy it at the low end of the price range and you'll be thrilled.