Canon TS-E 24mm f/3.5L II 24mm
Combining four UD elements and one aspherical element with Subwavelength Coating, this lens delivers edge-to-edge sharpness with minimal chromatic aberration for full-frame EF-mount systems. Its robust L-series build includes weather sealing and a rotating tilt-shift mechanism offering ±8.5° of tilt and ±12mm of shift for precise perspective correction. This lens is best for architectural and interior photographers who require distortion-free, straight vertical lines in-camera without digital correction.
概要
オーナーの声
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独自顧客が実際にレビューを書いた時期に基づいています。発売当初の高評価が続いたかどうかがわかります。
- Q1 201295/100
Buyers praise this tilt-shift lens as exceptional for architecture and landscape photography, noting its unique perspective control and sharpness, but caution it requires practice and a tripod.
- Exceptional image quality and sharpness for specialized use.
- Unique tilt-shift functionality for perspective and depth-of-field control.
- Expensive and requires learning curve; best for specific needs.
- Versatile for macro and creative effects like selective focus.
- Q4 2011100/100
All reviews are 5-star, praising the lens as extremely sharp, distortion-free, and a worthy successor to the Gen 1 model.
- Lens is incredibly sharp and distortion-free, with tack-sharp images.
- Tilt function is usable handheld, not requiring a tripod.
- Improved over Gen 1: sharper, less CA, enhanced movements.
- Large and heavy; some users prefer smaller alternatives for portability.
- Q3 201193/100
Buyers praise this lens for exceptional sharpness, tilt/shift/rotation versatility, and superior results for architecture and landscape photography.
- Outstanding sharpness and resolution, exceeding other Canon L lenses.
- Unique tilt/shift with rotation offers full perspective control.
- Excellent for architecture (correcting building lean) and landscapes.
- Setup and adjustments require a learning curve.
- Q4 201073/100
Buyers praise the lens's exceptional sharpness and tilt-shift capabilities, but note it requires a tripod for tilt and is expensive, with some preferring software correction.
- Exceptional sharpness and image quality, with no chromatic aberration or distortion.
- Tilt-shift features praised but require tripod; hand-holding possible only for shift.
- Lens is expensive and manual focus limits use for fast situations.
- Some users find it impractical without tripod, preferring software correction.
日付のある顧客レビュー 59 件を暦四半期ごとに集計しています。期間別の分析は英語です。
実証データ
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Optics
| Type | Tilt-shift |
| Focal Length Min | 24 |
| Focal Length Max | 24 |
| Elements | 16 |
| Groups | 11 |
| Aspherical Elements | 1 |
| ED Elements | 4 |
| Coating | Subwavelength Coating |
Aperture
| Max Aperture | f/3.5 |
| Min Aperture | f/3.5 |
| Constant | Yes |
| Diaphragm Blades | 8 |
Build
| Mount | Canon EF |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.8 kg / 1.7 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 210 |
| Max Magnification | 1:2.94 |
競合製品との比較
| Spec | Canon TS-E 24mm f/3.5L II 24mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Panasonic LUMIX S S-E100 |
|---|---|---|---|---|---|---|
| Focal Length | 24mm | 18-50mm | 17-70mm | 17-28mm | 16-50mm | 100mm |
| Max Aperture | f/3.5 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/2.8 |
| Mount | Canon EF | Sony E | Sony E | Nikon Z | Sony E | L-Mount |
| Stabilization | false | false | true | false | true | false |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 780 | 290 | 544 | 450 | 107 | 298 |
| AF Type | manual focus only | stepping motor | RXD | Stepping Motor | Autofocus | Dual Phase Linear Motor |
| Lens Type | tilt-shift | zoom | zoom | zoom | zoom | macro |
| Compare | Compare | Compare | Compare | Compare |
| 製品 | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | ユーザー評価 | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Canon TS-E 24mm f/3.5L II 24mm | 12.8 | 77.9 | 53.7 | 81 | 89.2 | 76.8 | 33.7 | 95.9 | 36.7 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 87.2 | 81.3 | 86.6 | 90.8 | 82.6 | 83.5 | 78.6 | 89.4 | 36.7 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.6 | 86.6 | 69.6 | 84.9 | 91.1 | 83.5 | 89.5 | 85 | 82.4 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.2 | 86.6 | 76.1 | 84.9 | 88.5 | 83.5 | 68.2 | 69.4 | 36.7 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.6 | 74.7 | 98.6 | 43.7 | 68.8 | 76.8 | 83.3 | 80.6 | 93.5 |
| Panasonic LUMIX S S-E100 Compare | 98.1 | 86.6 | 86.4 | 81.3 | 83.7 | 83.5 | 33.7 | 64.9 | 36.7 |
