Leitz Cine HEKTOR 25mm T2.1 25mm
A deliberate Petzval-type effect and colorful indirect flares give full-frame footage a classic, stylized look with subtle focus falloff. The interchangeable Sony E and Nikon Z mounts and consistent 0.8 MOD gear positions across the series add practical versatility for rig builds. This manual-focus prime is best for cinematographers seeking expressive, vintage character for narrative or music video work rather than clinical sharpness.
एक नज़र में
फायदे और नुकसान
खूबियाँ
कमियाँ
- Below average optical (15th percentile)
- Below average af (15th percentile)
- Below average build (23rd percentile)
- Below average aperture (24th percentile)
प्रमाण
प्रदर्शन
तकनीकी विशेषताएं
पूर्ण विनिर्देश
Optics
| Type | Prime |
| Focal Length Min | 25 |
| Focal Length Max | 25 |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/2.1 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Sony E |
| Format | full-frame |
| Weight | 0.8 kg / 1.7 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 305 |
प्रतिस्पर्धियों से तुलना
| Spec | Leitz Cine HEKTOR 25mm T2.1 25mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD | Panasonic LUMIX S S-R28200 | Nikon NIKKOR AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR | Sony G Master SEL70200GM2 |
|---|---|---|---|---|---|---|
| Focal Length | 25mm | 16-300mm | 18-300mm | 28-200mm | 16-85mm | 70-200mm |
| Max Aperture | f/22 | f/3.5 | f/3.5 | f/4 | f/3.5 | f/2.8 |
| Mount | Sony E | Sony E | Fujifilm X | L-Mount | Nikon F | Sony E |
| Stabilization | false | true | true | true | true | true |
| Weather Sealed | false | true | false | true | false | true |
| Weight (g) | 770 | 615 | 92 | 413 | 59 | 1045 |
| AF Type | manual focus only | HLA | VXD linear motor | Autofocus | AF-S | XD Linear Motors |
| Lens Type | prime | zoom | zoom | macro | zoom | telephoto |
| Compare | Compare | Compare | Compare | Compare |
| उत्पाद | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Stabilization |
|---|---|---|---|---|---|---|---|---|
| Leitz Cine HEKTOR 25mm T2.1 25mm | 15.3 | 27.9 | 22.5 | 64.5 | 15.1 | 24.2 | 34 | 35.6 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 54.8 | 84.3 | 57.9 | 86.5 | 98.8 | 76.9 | 99.6 | 99.1 |
| Tamron Di III 18-300mm f/3.5-6.3 Di III-A VC VXD Compare | 98.1 | 75 | 96.3 | 88.4 | 73.5 | 76.9 | 99.2 | 80.5 |
| Panasonic LUMIX S S-R28200 Compare | 54.8 | 77.8 | 73.8 | 89.5 | 90.9 | 71.4 | 95.7 | 99.4 |
| Nikon NIKKOR AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR Compare | 54.8 | 75 | 98.4 | 59.8 | 64.1 | 76.9 | 94.3 | 92.2 |
| Sony G Master SEL70200GM2 Compare | 98.1 | 90.8 | 33.3 | 33.1 | 87.2 | 83.8 | 79.4 | 80.5 |
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