Canon TS-E 24mm f/3.5L II 24mm
Sa conception optique intègre quatre éléments UD et un asphérique avec un traitement Subwavelength Coating, offrant une netteté exceptionnelle du centre aux bords pour un contrôle précis de la perspective avec +/- 12 mm de décentrement et +/- 8,5° de bascule. La construction tout temps et la rotation du mécanisme sur +/- 90° apportent une fiabilité et une flexibilité de composition sur le terrain, même en conditions difficiles. Cet objectif est idéal pour les photographes d'architecture et d'intérieur exigeant une correction parfaite des lignes convergentes sur un capteur plein format.
Aperçu
L'avis des propriétaires
L'évolution de l'avis des propriétaires dans le temps
ExclusivitéD'après la date à laquelle les clients ont rédigé leurs avis - pour voir si l'enthousiasme initial s'est confirmé.
- Q1 201295/100
Buyers praise this tilt-shift lens as exceptional for architecture and landscape photography, noting its unique perspective control and sharpness, but caution it requires practice and a tripod.
- Exceptional image quality and sharpness for specialized use.
- Unique tilt-shift functionality for perspective and depth-of-field control.
- Expensive and requires learning curve; best for specific needs.
- Versatile for macro and creative effects like selective focus.
- Q4 2011100/100
All reviews are 5-star, praising the lens as extremely sharp, distortion-free, and a worthy successor to the Gen 1 model.
- Lens is incredibly sharp and distortion-free, with tack-sharp images.
- Tilt function is usable handheld, not requiring a tripod.
- Improved over Gen 1: sharper, less CA, enhanced movements.
- Large and heavy; some users prefer smaller alternatives for portability.
- Q3 201193/100
Buyers praise this lens for exceptional sharpness, tilt/shift/rotation versatility, and superior results for architecture and landscape photography.
- Outstanding sharpness and resolution, exceeding other Canon L lenses.
- Unique tilt/shift with rotation offers full perspective control.
- Excellent for architecture (correcting building lean) and landscapes.
- Setup and adjustments require a learning curve.
- Q4 201073/100
Buyers praise the lens's exceptional sharpness and tilt-shift capabilities, but note it requires a tripod for tilt and is expensive, with some preferring software correction.
- Exceptional sharpness and image quality, with no chromatic aberration or distortion.
- Tilt-shift features praised but require tripod; hand-holding possible only for shift.
- Lens is expensive and manual focus limits use for fast situations.
- Some users find it impractical without tripod, preferring software correction.
D'après 59 avis clients datés, regroupés par trimestre civil. L'analyse par période est en anglais.
Les preuves
Performances
Caractéristiques techniques
Fiche technique complète
Optics
| Type | Tilt-shift |
| Focal Length Min | 24 |
| Focal Length Max | 24 |
| Elements | 16 |
| Groups | 11 |
| Aspherical Elements | 1 |
| ED Elements | 4 |
| Coating | Subwavelength Coating |
Aperture
| Max Aperture | f/3.5 |
| Min Aperture | f/3.5 |
| Constant | Yes |
| Diaphragm Blades | 8 |
Build
| Mount | Canon EF |
| Format | full-frame |
| Weather Sealed | Yes |
| Weight | 0.8 kg / 1.7 lbs |
| Filter Thread | 82 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 210 |
| Max Magnification | 1:2.94 |
Face à la concurrence
| Spec | Canon TS-E 24mm f/3.5L II 24mm | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Panasonic LUMIX S S-E100 |
|---|---|---|---|---|---|---|
| Focal Length | 24mm | 18-50mm | 17-70mm | 17-28mm | 16-50mm | 100mm |
| Max Aperture | f/3.5 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/2.8 |
| Mount | Canon EF | Sony E | Sony E | Nikon Z | Sony E | L-Mount |
| Stabilization | false | false | true | false | true | false |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 780 | 290 | 544 | 450 | 107 | 298 |
| AF Type | manual focus only | stepping motor | RXD | Stepping Motor | Autofocus | Dual Phase Linear Motor |
| Lens Type | tilt-shift | zoom | zoom | zoom | zoom | macro |
| Compare | Compare | Compare | Compare | Compare |
| Produit | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Preuve sociale | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Canon TS-E 24mm f/3.5L II 24mm | 12.8 | 77.9 | 53.7 | 81 | 89.2 | 76.8 | 33.7 | 95.9 | 36.7 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 87.2 | 81.3 | 86.6 | 90.8 | 82.6 | 83.5 | 78.6 | 89.4 | 36.7 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.6 | 86.6 | 69.6 | 84.9 | 91.1 | 83.5 | 89.5 | 85 | 82.4 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.2 | 86.6 | 76.1 | 84.9 | 88.5 | 83.5 | 68.2 | 69.4 | 36.7 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.6 | 74.7 | 98.6 | 43.7 | 68.8 | 76.8 | 83.3 | 80.6 | 93.5 |
| Panasonic LUMIX S S-E100 Compare | 98.1 | 86.6 | 86.4 | 81.3 | 83.7 | 83.5 | 33.7 | 64.9 | 36.7 |
