Nikon 20082_EDI_1

The Phase Fresnel element and three ED glass elements shrink this 500mm prime to a hand-holdable 2,445g, defying the bulk of typical super telephotos. Its Vibration Reduction system offers 4 stops of compensation with a dedicated Sport Mode for tracking erratic subjects, while the Silent Wave Motor delivers fast, quiet autofocus. This lens is best for wildlife and sports photographers using Nikon DSLRs who need extreme reach without a tripod.

Focal length 500mm
Aperture f/5.6
Mount Nikon F
stabilization Yes
Weather Sealed Yes
Weight 2445 g
af type Silent Wave Motor
lens type telephoto
Nikon 20082_EDI_1 lens
36 Overall Score
Price R$0
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Snapshot

The 30-Second Version

The Nikon 500mm f/5.6 PF is a super telephoto prime that you can actually handhold, thanks to a clever Phase Fresnel design. It delivers excellent stabilization and good sharpness in a surprisingly portable package. Just don't expect a premium build feel or low-light monster performance.

Pros & Cons

Pros

  • Incredibly portable for a 500mm prime, easy to handhold all day 93rd
  • Top-tier Vibration Reduction, 93rd percentile in our database
  • Fast, quiet autofocus with full-time manual override
  • Excellent chromatic aberration control from the PF and ED elements
  • Weather sealing and fluorine coating for outdoor peace of mind

Cons

  • Build quality feels plasticky and ranks in the 10th percentile
  • Fixed f/5.6 aperture limits low-light and subject isolation
  • Optical performance is middle of the pack for its class
  • Pricey at $2,850, especially for an F-mount lens in 2025
  • Minimum focus distance of 5 meters rules out any close-up work

The proof

Performance

In the field, the 500mm PF is a joy to use for its intended purpose. Autofocus lands in the 54th percentile, which sounds average, but in practice it's snappy enough for most wildlife and sports scenarios. You won't miss many shots waiting for it to hunt, and the internal focusing design keeps the barrel length constant, which is nice for balance on a gimbal head. The real performance highlight is stabilization. Sitting in the 93rd percentile, the VR system is best-in-class for a super telephoto. You can genuinely shoot at 1/125s and get sharp results, which opens up creative options in low light without cranking ISO into the stratosphere.

Sharpness is good but not chart-topping. At f/5.6, it's very usable wide open, and stopping down to f/8 brings a slight bump in contrast and corner performance. The bokeh is about average for this focal length, smooth enough to isolate a subject but not the creamy, melt-away look you'd get from an f/4 lens. Chromatic aberration is well controlled thanks to those ED and PF elements. If you're pixel-peeping, you'll find a bit of purple fringing in extreme contrast situations, but it's easily corrected in post. For a lens that prioritizes portability over outright optical perfection, it punches above its weight.

Performance Percentiles

AF 53.9
Bokeh 52.6
Build 10.3
Macro 57.5
Optical 58.8
Aperture 52.8
Versatility 33.6
Social Proof 13.1
Stabilization 93.3

Specifications

Full Specifications

Optics

Type Telephoto
Focal Length Min 500
Focal Length Max 500
ED Elements 3
Coating Nano Crystal and Super Integrated Coatings, fluorine coating

Aperture

Max Aperture f/5.6
Min Aperture f/5.6

Build

Mount Nikon F
Format full-frame
Weather Sealed Yes
Weight 2.4 kg / 5.4 lbs
Filter Thread 95

AF & Stabilization

AF Type Silent Wave Motor
Stabilization Yes
Stabilization Stops 4

Focus

Min Focus Distance 500

vs Competition

The 500mm PF exists in a weird competitive space because nothing else in the F-mount lineup does exactly what it does. The closest Nikon alternative is the 200-500mm f/5.6E ED VR, which costs about half as much and gives you zoom flexibility, but it's significantly heavier and not as sharp at the long end. If you're open to third-party options, the Sigma 150-600mm f/5-6.3 DG OS HSM Sports is a tank with more reach, but it's a beast to handhold and the autofocus isn't as refined. On the mirrorless side, the Z 400mm f/4.5 VR S with a teleconverter is a compelling, lighter option if you're considering a system switch, though it's even pricier. The 500mm PF's main advantage is that it's the only truly handholdable native 500mm for Nikon DSLRs, and for some shooters, that's the only thing that matters.

Spec Nikon 20082_EDI_1 Tamron Di III VC 28-300mm f/4-7.1 VXD Sigma Contemporary 18-50mm f/2.8 DC DN Panasonic Leica DG Vario-Elmarit H-ES12035 Sony E 18-135mm f/3.5-5.6 OSS Viltrox Pro AF 27mm f/1.2
Focal Length 500mm 28-300mm 18-50mm 12-35mm 18-135mm 27mm
Max Aperture f/5.6 f/4 f/2.8 f/2.8 f/3.5 f/1.2
Mount Nikon F Sony E Sony E Micro Four Thirds Sony E Sony E
Stabilization true true false true true false
Weather Sealed true true true true false true
Weight (g) 2445 590 290 306 326 560
AF Type Silent Wave Motor VXD linear motor stepping motor Autofocus Linear motor STM
Lens Type telephoto zoom zoom zoom zoom prime
Compare Compare Compare Compare Compare
Product AFBokehBuildMacroOpticalApertureVersatilitySocial ProofStabilization
Nikon 20082_EDI_1 53.952.610.357.558.852.833.613.193.3
Tamron Di III VC 28-300mm f/4-7.1 VXD Compare 9877.965.185.896.76697.755.882.4
Sigma Contemporary 18-50mm f/2.8 DC DN Compare 86.881.88691.782.283.978.689.836.8
Panasonic Leica DG Vario-Elmarit H-ES12035 Compare 53.981.885.45186.583.980.685.596.9
Sony E 18-135mm f/3.5-5.6 OSS Compare 9875.472.540.378.577.395.889.882.4
Viltrox Pro AF 27mm f/1.2 Compare 86.898.567.438.582.298.633.689.836.8

Price

Value & Pricing

At $2,850, the 500mm PF is a significant investment, especially for a lens on the aging F-mount system. You're paying a premium for the Phase Fresnel magic that makes it so portable. If you're a dedicated wildlife or sports shooter on Nikon DSLRs who values mobility above all else, the price is easier to swallow. But if you're just dipping a toe into super telephoto photography, there are cheaper ways to get reach, like a 150-600mm zoom, though you'll sacrifice some sharpness and that handheld freedom. For what it offers in a unique, compact package, the value is there for the right person, but it's not a casual purchase.

Read more

Overview

The Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR is one of those lenses that makes you do a double take. A 500mm prime that you can actually handhold? That's the whole pitch, and it mostly delivers. The Phase Fresnel element is the secret sauce here, shrinking what would normally be a massive, tripod-bound super telephoto into something that weighs about 5.4 pounds. For wildlife photographers who hike into position or sports shooters who need to stay mobile, that's a genuine game changer. At around $2,850, it sits in a premium bracket, but the portability factor is something no other 500mm F-mount lens can match.

Optically, it's a mixed bag that leans positive. You get three ED elements and Nikon's Nano Crystal Coat to fight flare and ghosting. Sharpness is solid, especially in the center, though our database puts its overall optical score right around the middle of the pack for its class. The real star is the Vibration Reduction system, which is rated in the 93rd percentile. Nikon claims four stops of compensation, and in practice, it makes a huge difference when you're tracking a bird in fading light. The Silent Wave Motor autofocus is quick and accurate, if not the absolute fastest we've tested, and full-time manual override is always welcome.

Build quality is where things get a little surprising, and not in a great way. Our data ranks it in the 10th percentile for build, which feels harsh until you handle it. The lens is weather-sealed and has a fluorine coating on the front element, but the extensive use of lightweight materials to hit that portable form factor means it doesn't have the tank-like feel of something like a 500mm f/4. It's tough, but it's not "drop it in a river and shrug" tough. For a lens aimed at outdoor shooters, that's worth keeping in mind.

Common Questions

Q: Is the Nikon 500mm f/5.6 PF good for wildlife photography?

Yes, it's one of the best wildlife lenses for Nikon DSLRs if you need to stay mobile. The handheld design and excellent VR let you track animals without a tripod, though the f/5.6 aperture means you'll want good light for fast shutter speeds.

Q: How does the Nikon 500mm PF compare to the 200-500mm f/5.6?

The 500mm PF is much lighter and sharper at 500mm, but it's a prime so you lose zoom flexibility. The 200-500mm is heavier and softer at the long end, but it costs about half as much and covers a useful range.

Q: Can the Nikon 500mm f/5.6 PF be used with a teleconverter?

Yes, it's compatible with Nikon teleconverters, but you'll lose light and autofocus speed. With a 1.4x TC, it becomes a 700mm f/8, which can still autofocus on bodies like the D500 or D850, but performance will be slower.

Q: Is the Nikon 500mm PF weather sealed?

Yes, it has weather sealing and a fluorine coating on the front element to repel water and dust. It's designed for outdoor use, but the lightweight build materials mean it doesn't feel as rugged as some heavier pro lenses.

Who Should Skip This

Skip this lens if you mostly shoot from a tripod or blind. The whole point is portability, and you're paying a big premium for it. If you don't need to handhold, a used 500mm f/4 or a 200-500mm zoom will give you better low-light performance or more flexibility for less money. Also, if you're a casual shooter just curious about long reach, start with a more affordable zoom. This is a dedicated tool for people who know they need a lightweight 500mm prime.

Verdict

The Nikon 500mm f/5.6 PF is a specialist's lens, and it excels at its niche. If you're a wildlife photographer who hikes miles into position or a sports shooter who needs to react quickly without a monopod, this lens is a revelation. The combination of reach and portability is unmatched in the F-mount ecosystem. You'll get shots you'd miss while fumbling with a tripod, and the VR system is so good it feels like cheating.

But it's not for everyone. The build quality is a letdown for a lens at this price, and the fixed f/5.6 aperture means you'll be pushing ISO in anything but good light. If you shoot from a blind or always use a tripod, a heavier, faster lens or a zoom might serve you better. For the mobile super telephoto shooter, though, this is one of the most fun lenses Nikon ever made. Should you buy it? If handholding 500mm sounds like your dream workflow, absolutely. If not, save your cash and get a zoom.

Usage Scores

Macro (51.3)Overall (35.8)Budget (28.8)Street (37.2)Travel (23.8)Portrait (44.4)Landscape (34)Professional (41.4)Video Cinema (40.6)Wildlife Sports (45.3)

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