Best Pick

Yongnuo YN25mm F1.7M 25mm

55.3 Video/Cinema Score
25mmf/22Micro Four ThirdsIS
Why we recommend this

The f/1.7 aperture and STM motor deliver quiet, precise autofocus and usable low-light performance in a 150g body, making it a highly portable standard prime. Its optical design includes one ED and two aspherical elements to control aberrations, while the full-time manual focus override adds practical control for fine-tuning shots. This lens is best for Micro Four Thirds street and travel photographers who prioritize a lightweight, budget-friendly 50mm equivalent field of view.

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Great Alternatives

These options also score highly and may better suit your specific needs

OM System M.Zuiko Digital ED 40-150mm f/4-5.6 R

46.7 Video/Cinema Score
40-150mmf/22Micro Four Thirds
Why we recommend this ▼

The 40-150mm f/4-5.6 offers an 80-300mm equivalent reach in a 190g body, with a Movie & Still Compatible AF system for swift, silent focusing. Its Micro Four Thirds design and budget pricing make it a remarkably portable telephoto option for travel and everyday use. This lens is best for portrait and street photographers on Micro Four Thirds cameras who want a lightweight zoom without spending heavily.

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7Artisans 35T1.05M43-FBA

42.6 Video/Cinema Score
35mmMicro Four ThirdsIS
Why we recommend this ▼

A T1.05 aperture and 13-blade diaphragm produce creamy bokeh and vivid images, while the de-clicked aperture ring enables quiet, smooth exposure changes for video. The 270-degree focus throw allows precise manual focusing, and the lens design keeps breathing effect low during focus shifts. This cine lens is best for Micro Four Thirds video shooters who need a fast, manual prime for low-light narrative work.

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Rokinon Cine DS100M-MFT 100mm

37.5 Video/Cinema Score
100mmf/32Micro Four Thirds
Why we recommend this ▼

Offering 1:1 macro magnification with a 100mm focal length and T3.1 aperture, this lens captures detailed close-ups with smooth, de-clicked aperture control and a 9-blade diaphragm for circular bokeh. The Cine DS version adds unified focus and aperture gear positions, color-matched barrels, and dual-sided distance scales for quick lens swaps on set. It’s best for Micro Four Thirds video shooters needing a dedicated macro cine lens for product shots, nature details, and dramatic close-ups with follow-focus rigs.

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Panasonic Lumix G H-H025K 25-50mm

36.8 Video/Cinema Score
25mmf/22Micro Four Thirds
Why we recommend this ▼

The bright f/1.7 maximum aperture and Nano Surface Coating deliver strong low-light performance and contrast on a 50mm equivalent field of view. Weighing just 125g, this lens is an ultra-portable option that pairs a stepping AF motor for smooth, silent video focus with a budget-friendly price. It is best for Micro Four Thirds street photographers and beginners wanting a fast, normal prime without adding bulk to their setup.

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Meike Fisheye 7.5mm f/2.8 Fisheye 8mm

35.6 Video/Cinema Score
8mmf/16Micro Four Thirds
Why we recommend this ▼

The Meike 7.5mm F/2.8 is a fully manual, all-metal fisheye lens with a fast f/2.8 aperture and 9 elements in 11 groups, built for Canon EF-M mount cameras. Its compact, lightweight construction and sharp color contrast make it a practical choice for astrophotography and street shooting, though it requires enabling "M mode" or "Release without lens" in camera settings. This lens suits Canon EOS M-series owners who want an affordable, durable circular fisheye for creative portraits and night sky shots, not landscape work.

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Meike 12mm f/2.8 12mm

30.6 Video/Cinema Score
12mmf/22Micro Four Thirds
Why we recommend this ▼

The fast f/2.8 aperture and 12-element optical design deliver sharp, bright images with a 99-degree field of view on Micro Four Thirds bodies. Its compact 360g build and fully manual focus operation offer precise creative control at an accessible price point. This lens is best for landscape and architecture photographers wanting an affordable, durable ultra-wide prime for deliberate, tripod-based compositions.

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