Nikon NIKKOR AF-S NIKKOR 16-35mm f/4G ED VR
The 16-35mm f/4 constant aperture and VR II stabilization up to 4 stops make this lens a steady performer for handheld wide-angle shots. Its Nano Crystal Coat and ED glass reduce flare and chromatic aberration, delivering sharp images across the frame. Best for Nikon FX and DX shooters who need a durable, stabilized ultra-wide zoom for landscapes and travel.
Overzicht
The 30-Second Version
The 16-35mm f/4G VR is the ultra-wide zoom that makes the 14-24mm f/2.8 feel like overkill. Sharp, stabilized, and filter-friendly, it's the smart money pick for Nikon F shooters.
Pros & Cons
Pluspunten
- Excellent sharpness and contrast across the zoom range 93rd
- VR II stabilization genuinely saves handheld shots 77th
- Constant f/4 aperture with solid build quality 75th
- Takes standard 77mm filters, unlike the 14-24mm 71st
Minpunten
- No weather sealing, which stings for a lens this price
- f/4 max aperture limits low-light and shallow depth of field
- Heavy for a travel lens at 680g
- Build quality feels behind the pro-grade Nikkors
Wat eigenaren vinden
The Word on the Street
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De feiten
Performance
Sharpness across the frame is genuinely impressive, especially stopped down a touch. The Nano Crystal Coat and two ED elements do real work keeping flare and chromatic aberration in check, and our database puts optical quality near the top of the charts. Autofocus is quick and quiet thanks to the ultrasonic motor, and the 4-stop VR means handheld shots at 1/4 second are actually doable. The one surprise? How well this thing handles close-up work. It's not a macro lens, but the 0.28m minimum focus distance lets you get weirdly close for dramatic wide-angle detail shots.
Specifications
Full Specifications
Optics
| Type | Zoom |
| Focal Length Min | 16 |
| Focal Length Max | 35 |
| Elements | 17 |
| Groups | 12 |
| Aspherical Elements | 3 |
| ED Elements | 2 |
| Coating | Nano Crystal Coat |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/4 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Nikon F |
| Format | full-frame |
| Weight | 0.7 kg / 1.5 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | Silent Wave Motor |
| Stabilization | Yes |
| Stabilization Stops | 2.5 |
Focus
| Min Focus Distance | 290 |
| Max Magnification | 1:4 |
vs Competition
The obvious rival is Nikon's own 14-24mm f/2.8G. That lens is faster and slightly wider, but it's heavier, can't take screw-on filters, and costs a lot more. The 16-35mm f/4 gives up a stop of light but gains VR, filter threads, and a much friendlier price. Against something like the Tamron 28-300mm superzoom, the Nikon is in a completely different league for optical quality and build intent. If you need one ultra-wide zoom for serious work, the 16-35mm is the smarter choice over any superzoom compromise.
| Spec | Nikon NIKKOR AF-S NIKKOR 16-35mm f/4G ED VR | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Art 17-40mm f/1.8 DC | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS | Canon RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 16-35mm | 28-300mm | 17-40mm | 12-35mm | 18-135mm | 28-70mm |
| Max Aperture | f/22 | f/4 | f/1.8 | f/2.8 | f/3.5 | f/2.8 |
| Mount | Nikon F | Sony E | Fujifilm X | Micro Four Thirds | Sony E | Canon RF |
| Stabilization | true | true | false | true | true | true |
| Weather Sealed | false | true | true | true | false | true |
| Weight (g) | 680 | 590 | 535 | 306 | 326 | 495 |
| AF Type | Silent Wave Motor | VXD linear motor | HLA (High-response Linear Actuator) | Autofocus | Linear motor | STM |
| Lens Type | zoom | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Gebruikersoordeel | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Nikon NIKKOR AF-S NIKKOR 16-35mm f/4G ED VR | 53.9 | 25 | 37 | 71.1 | 92.6 | 21.8 | 74.5 | 76.6 | 68.9 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 97.7 | 83.3 | 62.9 | 83.2 | 96.3 | 70.7 | 97.9 | 50.5 | 79.3 |
| Sigma Art 17-40mm f/1.8 DC Compare | 53.9 | 97 | 67 | 72.1 | 96.7 | 95.2 | 75.7 | 94 | 34.3 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 86.4 | 83.7 | 48.7 | 86.1 | 88.1 | 80.4 | 86.2 | 96.4 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 97.7 | 81 | 70.8 | 37.2 | 77.9 | 82.5 | 95.8 | 90.7 | 79.3 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 84.6 | 86.4 | 70.3 | 41.3 | 83.8 | 88.1 | 76.9 | 53.6 | 98.4 |
Prijs
Value & Pricing
At around $750 USD new, this lens is a steal for what it delivers optically. You're getting near-pro-level sharpness and stabilization for roughly half the price of the 14-24mm f/2.8. If you shoot landscapes, architecture, or real estate on a Nikon F body, this is the value pick, period.
Amazon 2 aanbiedingen Vanaf US$ 484
Newegg 3 aanbiedingen Vanaf US$ 725
Price History
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Overview
The Nikon 16-35mm f/4G VR is the wide zoom that makes you question why you'd lug around the heavier 14-24mm f/2.8. You get a constant f/4 aperture, rock-solid VR II stabilization, and optics that punch way above their price. It's not the newest lens on the block, but for Nikon F shooters who want a practical ultra-wide without selling a kidney, this is still one of the smartest buys out there.
Common Questions
Q: Does this lens work on DX cameras?
Yes, it works fine on DX bodies. You'll get a 24-52.5mm equivalent field of view, which is still useful but not ultra-wide. If you want true ultra-wide on DX, look at a 10-20mm DX lens instead.
Q: Can I use screw-on filters with this lens?
Absolutely. It takes standard 77mm filters, which is a huge advantage over the 14-24mm f/2.8 that requires expensive, bulky filter systems.
Q: Is the f/4 aperture limiting for astrophotography?
It's not ideal. f/4 means you'll need higher ISO or longer exposures than an f/2.8 lens. For serious astro work, the 14-24mm f/2.8 or a fast prime is the better tool.
Who Should Skip This
If you need weather sealing for harsh outdoor conditions or shoot a lot of low-light action, this isn't your lens. Go grab the 14-24mm f/2.8 for the faster aperture and tougher build, or look at a modern Z-mount option if you're ready to switch systems.
Verdict
Buy it if you're on Nikon F and want a practical, sharp, stabilized ultra-wide zoom. The lack of weather sealing and f/4 aperture are the only real knocks, but for landscape and architecture shooters, those trade-offs are easy to accept. This lens earns its reputation as the sensible pro's wide zoom.
