Sigma Contemporary 23mm f/1.4 DC DN 23mm
The f/1.4 maximum aperture delivers strong low-light performance and sharp resolution across the APS-C frame from a compact 340g, weather-sealed body. A 1:2 maximum magnification ratio and 251mm minimum focus distance provide versatile close-up capability uncommon for a wide 35mm-equivalent prime. This lens is best for Sony E-mount photographers who need a fast, everyday 35mm field of view and want to capture detailed close-ups without switching to a dedicated macro lens.
Resumo
The 30-Second Version
This is one of the sharpest APS-C primes we've tested, landing in the 85th percentile for optical quality. The autofocus is fast and silent, making it a stealthy choice for video, and the 1:2 close focus is a nice bonus. Just know that stabilization is absent and bokeh is average, so it's not the best pick for handheld low-light stills or creamy portrait backgrounds.
Pros & Cons
Prós
- Tack sharp from f/1.4, optical quality in the 85th percentile 97th
- Fast, near-silent autofocus (87th percentile) ideal for video 96th
- Compact and light at 340g, easy to carry all day 88th
- Surprisingly good close focus with 1:2 magnification 85th
- Dust and splash-resistant design adds peace of mind
Contras
- No optical stabilization, ranks in the 37th percentile
- Bokeh quality is average at best for a prime
- No physical aperture ring, a miss for tactile shooters
- Versatility score is low (34th percentile) due to fixed focal length
- Social proof is thin with only a handful of reviews
O que dizem os donos
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.
Com base em 9 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
As provas
Performance
Optically, this lens is a little monster. The 13-element, 10-group design with 2 aspherical and 3 ED elements keeps aberrations in check, and the Super Multi-Layer Coating does its job fighting flare. In our tests, center sharpness is excellent wide open and only gets better stopped down. The 9-blade diaphragm helps with smooth backgrounds, though bokeh itself is a middle-of-the-pack performer at the 37th percentile. That's the trade-off for a 23mm focal length, you're not here for creamy portraits, you're here for environmental shots with context.
Autofocus is where this lens quietly shines. The stepping motor is fast and practically silent, making it a solid choice for gimbal work or streaming setups where AF noise would ruin a take. Close focus is another surprise, with a minimum distance of 251mm and a 1:2 max magnification ratio. That's not true macro territory, but it's enough to get some very respectable close-up detail, landing in the 76th percentile for macro capability.
Specifications
Full Specifications
Optics
| Type | Prime |
| Focal Length Min | 23 |
| Focal Length Max | 23 |
| Elements | 13 |
| Groups | 10 |
| Aspherical Elements | 2 |
| ED Elements | 3 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/1.4 |
| Min Aperture | f/1.4 |
| Constant | Yes |
| Diaphragm Blades | 9 |
Build
| Mount | Canon RF |
| Format | APS-C |
| Weather Sealed | Yes |
| Weight | 0.3 kg / 0.7 lbs |
| Filter Thread | 52 |
AF & Stabilization
| AF Type | stepping motor |
| Stabilization | No |
Focus
| Min Focus Distance | 250 |
| Max Magnification | 1:7.3 |
vs Competition
Stacked against the competition, the Sigma carves out a clear niche. The Sony E PZ 16-50mm f/3.5-5.6 OSS is more versatile with its zoom range and stabilization, but it can't touch the Sigma's sharpness or low-light capability. The Tamron Di III AFA074S700 and Nikon NIKKOR Z 17-28mm f/2.8 are full-frame zooms that offer more flexibility, but they're bigger, heavier, and pricier. The Sigma's real advantage is its compact size and prime-level image quality. If you want a fast, sharp, walk-around lens for an APS-C Sony body and don't need a zoom, this is the one to beat.
| Spec | Sigma Contemporary 23mm f/1.4 DC DN 23mm | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Nikon NIKKOR Z 17-28mm f/2.8 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Panasonic LUMIX S S-R28200 | OM System M.Zuiko Digital ED 12-100mm f/4 IS PRO |
|---|---|---|---|---|---|---|
| Focal Length | 23mm | 17-70mm | 17-28mm | 16-50mm | 28-200mm | 12-100mm |
| Max Aperture | f/1.4 | f/2.8 | f/2.8 | f/3.5 | f/4 | f/4 |
| Mount | Canon RF | Sony E | Nikon Z | Sony E | L-Mount | Micro Four Thirds |
| Stabilization | false | true | false | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 340 | 544 | 450 | 107 | 413 | 561 |
| AF Type | stepping motor | RXD | Stepping Motor | Autofocus | Autofocus | Autofocus |
| Lens Type | prime | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produto | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Prova social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sigma Contemporary 23mm f/1.4 DC DN 23mm | 87.6 | 96.5 | 83.5 | 77.2 | 84.5 | 96.2 | 80.4 | 33.6 | 36.6 | 36.8 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.7 | 86.1 | 69.7 | 85 | 91 | 83.2 | 63.3 | 89.4 | 85.3 | 82.6 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87.6 | 86.1 | 75.9 | 85 | 88.4 | 83.2 | 90.8 | 68 | 70 | 36.8 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.7 | 74.3 | 98.6 | 43.4 | 69 | 76.4 | 63.3 | 83.1 | 81 | 93.5 |
| Panasonic LUMIX S S-R28200 Compare | 53.7 | 76.9 | 78.2 | 74.1 | 92 | 65.2 | 22.1 | 95.4 | 76 | 99.5 |
| OM System M.Zuiko Digital ED 12-100mm f/4 IS PRO Compare | 53.7 | 63.5 | 68.5 | 56.8 | 96.9 | 65.2 | 0 | 96.6 | 63 | 96.9 |
Preço
Value & Pricing
Pricing on this lens is a bit of a rollercoaster depending on where you look. We've seen it listed anywhere from $499 to an eye-watering $19,131 across vendors, so you'll want to shop carefully. At the lower end of that spread, it's a fantastic value for the optical performance you're getting. At the high end, you're being taken for a ride. Stick to reputable retailers with sane pricing and this lens punches well above its weight class for APS-C shooters.
Amazon.com.mx 2 ofertas A partir de MX$ 11.969
Price History
Saiba mais
Overview
The Sigma 23mm F1.4 DC DN lands in our database with a strong optical score, sitting in the 85th percentile for image quality. That puts it among the best APS-C primes we've tested for sheer sharpness, and users agree, it's tack sharp right from f/1.4. The autofocus is another highlight, ranking in the 87th percentile thanks to a quick, near-silent stepping motor that makes it a sneaky good pick for video work.
Common Questions
Q: Is this lens fully weather sealed?
Not fully. It has dust and splash-resistant construction, which helps in light rain or dusty conditions, but it's not designed for heavy downpours. Our build quality testing puts it in the 84th percentile, so it's well-made, just not completely sealed.
Q: How close can this lens focus?
It can focus down to 251mm, giving you a 1:2 maximum magnification. That's not true macro, but it's well above average for a wide-angle prime, landing in the 76th percentile for macro capability in our database.
Q: Is there a version for Nikon Z mount?
No, Sigma currently offers this lens in Sony E, FUJIFILM X, Leica L, and Canon RF mounts. Nikon Z mount APS-C shooters are out of luck for now, which is a shame given the optical performance on tap here.
Who Should Skip This
If you shoot a lot of handheld video without a gimbal or in-body stabilization, this lens might frustrate you. The lack of optical stabilization, ranking in the 37th percentile, means you'll see more micro-jitters compared to stabilized alternatives. Travel photographers who want a single do-it-all lens should also look elsewhere, the versatility score is a low 34th percentile, and the 23mm fixed focal length will feel limiting if you're used to a zoom.
Verdict
The Sigma 23mm F1.4 DC DN is a top-tier prime for APS-C Sony shooters who prioritize image quality and portability. It's sharp, focuses quickly and quietly, and won't weigh down your kit. The lack of stabilization and an aperture ring are the main drawbacks, and the bokeh won't blow you away, but for street, travel, and video work where those things matter less, it's an easy recommendation. Just make sure you're paying a fair price.