Sony E PZ 16-50mm f/3.5-5.6 OSS
OM System M.Zuiko Digital 14-42mm f/3.5-5.6 EZ
What Buyers Say
Sony E PZ 16-50mm f/3.5-5.6 OSS
The Sony DT 16-50mm F2.8 SSM lens is a notable upgrade from the kit 18-55mm, offering a constant fast aperture, silent autofocus, and superior image quality. Users praise its sharpness, bokeh, and build, though they note it is heavier and bulkier. A few refurbished units had minor scratches or early malfunction, but overall the lens is highly recommended for Sony Alpha APS-C cameras.
Pros
- Constant F2.8 aperture
- Fast and silent autofocus
- Excellent image sharpness and contrast
- Pleasing bokeh
- Solid build quality
Cons
- Heavy and bulky
- Some units have early malfunctions
- Not compatible with full-frame cameras
- Moderate flare issue
- Limited zoom range to 50mm
OM System M.Zuiko Digital 14-42mm f/3.5-5.6 EZ
The Olympus M.Zuiko 14-42mm II R is widely praised as one of the best kit zooms available, offering impressive sharpness, compact size, and fast autofocus for its price. Users appreciate its lightweight, collapsible design and versatile focal range, though many note the variable aperture (f/3.5-5.6) limits low-light performance and bokeh. Common criticisms include the plastic mount, lack of included lens hood, and a sometimes-fiddly lock mechanism. Overall, it's considered a fantastic starter lens and a great value when bundled with a camera body.
Pros
- Compact and lightweight design
- Sharp image quality for a kit lens
- Fast and quiet autofocus
- Versatile focal range (28-84mm equivalent)
- Great value when bundled with camera
Cons
- Variable aperture limits low-light performance
- Plastic lens mount feels cheap
- No lens hood included
- Lock mechanism can be cumbersome
- Small aperture restricts bokeh
Scores
Specifications
| Sony E PZ 16-50mm f/3.5-5.6 OSS | OM System M.Zuiko Digital 14-42mm f/3.5-5.6 EZ | |
|---|---|---|
| Optics | ||
| Type | zoom | zoom |
| Focal Length Min | 16 mm | 14 mm |
| Focal Length Max | 50 mm | 42 mm |
| Elements | 9 | 8 |
| Groups | 8 | 7 |
| Aspherical Elements | 4★ | 3 |
| ED Elements | 1 | 1 |
| Coating | — | ZERO |
| Aperture | ||
| Max Aperture | f/3.5 | f/22 |
| Min Aperture | 3.5-5.6 | 3.5-5.6 |
| Constant | ✗ | ✗ |
| Diaphragm Blades | 7★ | 5 |
| Build | ||
| Mount | Sony E | Micro Four Thirds |
| Format | APS-C★ | micro-four-thirds |
| Weather Sealed | ✓★ | ✗ |
| Weight | 0.11 kg | 0.09 kg★ |
| Filter Thread | 41 mm | 37 mm |
| AF & Stabilization | ||
| AF Type | Autofocus | MSC |
| Stabilization | ✓★ | ✗ |
| Stabilization Stops | 4 stops★ | — |
| Focus | ||
| Min Focus Distance | 250 mm | 200 mm★ |
| Max Magnification | 0.215x | 1:4.35★ |
Pros & Cons
Sony E PZ 16-50mm f/3.5-5.6 OSS
- Strong build (98th percentile)98th %ile
- Strong stabilization (93rd percentile)93rd %ile
- Strong versatility (83rd percentile)83rd %ile
- Strong social proof (81st percentile)81st %ile
OM System M.Zuiko Digital 14-42mm f/3.5-5.6 EZ
- Strong build (97th percentile)97th %ile
- Strong macro (83rd percentile)83rd %ile
- Strong versatility (82nd percentile)82nd %ile
- Strong social proof (74th percentile)
- Below average bokeh (4th percentile)4th %ile
- Below average aperture (22nd percentile)
- Below average user sentiment (30th percentile)
Pricing
Sony E PZ 16-50mm f/3.5-5.6 OSS offers 3.1x better value for money
Verdict
Scores 89 overall, wins 8 of 9 usage categories and 6 of 22 specs.
