Sony E PZ 16-50mm f/3.5-5.6 OSS
Canon L RF 70-200mm f/2.8 L IS USM
What Buyers Say
Sony E PZ 16-50mm f/3.5-5.6 OSS
The Sony DT 16-50mm F2.8 SSM lens is a notable upgrade from the kit 18-55mm, offering a constant fast aperture, silent autofocus, and superior image quality. Users praise its sharpness, bokeh, and build, though they note it is heavier and bulkier. A few refurbished units had minor scratches or early malfunction, but overall the lens is highly recommended for Sony Alpha APS-C cameras.
Pros
- Constant F2.8 aperture
- Fast and silent autofocus
- Excellent image sharpness and contrast
- Pleasing bokeh
- Solid build quality
Cons
- Heavy and bulky
- Some units have early malfunctions
- Not compatible with full-frame cameras
- Moderate flare issue
- Limited zoom range to 50mm
Canon L RF 70-200mm f/2.8 L IS USM
The Canon EF 70-200mm f/2.8L USM lens is widely praised for its exceptional sharpness, fast and silent autofocus, and robust build quality. Many users consider it a workhorse for sports, portraits, and low-light photography, though the lack of image stabilization is a notable drawback for some. A significant number of reviews highlight the lens's weight and the potential for focus inconsistencies, particularly with moving subjects. Concerns about Canon's support for older models and the tripod collar design also appear in negative feedback.
Pros
- Exceptional sharpness and image quality
- Fast and silent autofocus (USM)
- Excellent for low-light photography
- Versatile for sports and portraits
- Robust build quality
Cons
- No image stabilization
- Heavy and bulky
- Tripod collar design issues
- Inconsistent autofocus with moving subjects
- Canon no longer supports repairs
Scores
Specifications
| Sony E PZ 16-50mm f/3.5-5.6 OSS | Canon L RF 70-200mm f/2.8 L IS USM | |
|---|---|---|
| Optics | ||
| Type | zoom | zoom |
| Focal Length Min | 16 mm | 70 mm |
| Focal Length Max | 50 mm | 200 mm |
| Elements | 9 | 17 |
| Groups | 8 | 13 |
| Aspherical Elements | 4★ | 2 |
| ED Elements | 1 | 5★ |
| Coating | — | Air Sphere Coating |
| Aperture | ||
| Max Aperture | f/3.5 | f/32 |
| Min Aperture | 3.5-5.6 | f/2.8 |
| Constant | ✗ | ✓★ |
| Diaphragm Blades | 7 | 9★ |
| Build | ||
| Mount | Sony E | Canon EF |
| Format | APS-C | full-frame★ |
| Weather Sealed | ✓ | ✓ |
| Weight | 0.11 kg★ | 1.07 kg |
| Filter Thread | 41 mm | 77 mm |
| AF & Stabilization | ||
| AF Type | Autofocus | USM★ |
| Stabilization | ✓ | ✓ |
| Stabilization Stops | 4 stops | 5 stops★ |
| Focus | ||
| Min Focus Distance | 250 mm★ | 700 mm |
| Max Magnification | 0.215x | 0.3x★ |
Pros & Cons
Sony E PZ 16-50mm f/3.5-5.6 OSS
- Strong build (98th percentile)98th %ile
- Strong stabilization (92nd percentile)92nd %ile
- Strong versatility (83rd percentile)83rd %ile
- Strong aperture (83rd percentile)83rd %ile
Canon L RF 70-200mm f/2.8 L IS USM
- Strong stabilization (96th percentile)96th %ile
- Strong optical (96th percentile)96th %ile
- Strong social proof (94th percentile)94th %ile
- Strong af (93rd percentile)93rd %ile
- Below average aperture (5th percentile)5th %ile
- Below average bokeh (8th percentile)8th %ile
- Below average user sentiment (32nd percentile)
- Below average macro (33rd percentile)
Pricing
Sony E PZ 16-50mm f/3.5-5.6 OSS offers 26.0x better value for money
Verdict
Scores 90 overall, wins 8 of 9 usage categories and 3 of 22 specs.
