Sigma Contemporary 16-28mm f/2.8 DG DN 16-28mm

Sigma Contemporary 16-28mm f/2.8 DG DN 16-28mm

Sigma
91 Overall Score
vs
Olympus MC-20

Olympus MC-20

Olympus
46 Overall Score

Scores

Professional
Sigma
98
Olympus
49
Portrait
Sigma
90
Olympus
31
Street
Sigma
88
Olympus
51
Budget
Sigma
85
Olympus
49
Video Cinema
Sigma
85
Olympus
45
Macro
Sigma
83
Olympus
27
Wildlife Sports
Sigma
80
Olympus
60
Landscape
Sigma
77
Olympus
62
Travel
Sigma
75
Olympus
77

Specifications

Sigma Contemporary 16-28mm f/2.8 DG DN 16-28mmOlympus MC-20
Optics
Typezoomtelephoto
Focal Length Min16 mm80 mm
Focal Length Max28 mm600 mm
Elements169
Groups114
Aspherical Elements4
ED Elements5
CoatingSuper Multi-Layer CoatingZERO Coating
Aperture
Max Aperturef/2.8f/22
Min Aperturef/2.8f/5.6
Constant
Diaphragm Blades9
Build
MountSony EMicro Four Thirds
Formatfull-framemicro-four-thirds
Weather Sealed
Weight0.45 kg0.15 kg
Filter Thread72 mm
AF & Stabilization
AF TypeStepping AF Motor
Stabilization
Stabilization Stops5 stops
Focus
Min Focus Distance250 mm
Max Magnification1:5.55

Pros & Cons

Sigma Contemporary 16-28mm f/2.8 DG DN 16-28mm

  • Strong optical (97th percentile)97th %ile
  • Strong af (87th percentile)87th %ile
  • Strong bokeh (87th percentile)87th %ile
  • Strong aperture (85th percentile)85th %ile

Olympus MC-20

  • Strong stabilization (97th percentile)97th %ile
  • Strong build (96th percentile)96th %ile
  • Strong versatility (96th percentile)96th %ile
  • Below average social proof (3rd percentile)3rd %ile
  • Below average macro (14th percentile)14th %ile
  • Below average bokeh (14th percentile)14th %ile
  • Below average aperture (21st percentile)

Pricing

Sigma Contemporary 16-28mm f/2.8 DG DN 16-28mm

No current pricing available

Verdict

Winner: Sigma Contemporary 16-28mm f/2.8 DG DN 16-28mm

Scores 91 overall, wins 8 of 9 usage categories and 7 of 22 specs.

Sigma Contemporary 16-28mm f/2.8 DG DN 16-28mm Better at:

MacroBudgetStreetPortraitLandscapeProfessionalVideo CinemaWildlife Sports

Olympus MC-20 Better at:

Travel

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