Big Mike's SLY500 500mm

Big Mike's SLY500 500mm

Big Mike's
37 Overall Score
vs
Nikon NIKKOR 2178 16-85mm

Nikon NIKKOR 2178 16-85mm

Nikon
89 Overall Score

What Buyers Say

Big Mike's SLY500 500mm

62 out of 100 low confidence 8 reviews

This budget telephoto lens receives mixed reviews. Many users praise its value for the price, noting clear focus and decent image quality for occasional use like moon photography. However, several verified buyers report issues with soft focus, dust contamination, and poor build quality, especially with the 2x teleconverter. It is best suited for those with realistic expectations who are willing to use a tripod and manual focus.

Pros
  • Great value for the price
  • Clear focus for occasional use
  • Decent image quality on tripod
  • Good for moon and eclipse photography
  • Solid adapter and converter machining
Cons
  • Soft focus on some units
  • Dust contamination from 2x teleconverter
  • Requires lots of light (f/8 max aperture)
  • No image stabilization
  • Adapter lacks back cover
👍 Value for money 5
🤔 Image quality 6
🤔 Focus performance 4
👎 Build quality 4
👎 Light requirements 3
👎 Dust contamination 2

Nikon NIKKOR 2178 16-85mm

88 out of 100 low confidence 8 reviews

The Nikon 16-85mm VR is widely praised as an excellent all-around zoom for DX cameras, delivering sharp images across the focal range with effective VR. Users note it outperforms kit lenses like the 18-105mm and even rivals the pricier 17-55mm in sharpness, though it is heavy and somewhat slow (f/3.5-5.6). Build quality is solid with a metal barrel, and the 16mm wide end is a key advantage for landscapes. Some caution about vignetting with thick filters and barrel distortion at 16mm, but overall it is considered a worthy investment for enthusiasts.

Pros
  • Excellent sharpness across focal range
  • Effective VR II image stabilization
  • Solid build with metal barrel
  • Useful 16-85mm zoom range
  • Great for landscapes and travel
Cons
  • Heavy weight (3.1 lb with D90)
  • Slow aperture (f/3.5-5.6)
  • Expensive for an f/3.5-5.6 lens
  • Barrel distortion at 16mm
  • Vignetting with thick filters at 16mm
👍 Image quality 7
👍 Build quality 5
👍 Vibration reduction 5
👎 Weight 4
🤔 Value for money 4
👍 Focal range 4

Scores

Budget
Big Mike's
44
Nikon
87
Portrait
Big Mike's
45
Nikon
79
Street
Big Mike's
34
Nikon
73
Macro
Big Mike's
45
Nikon
73
Video Cinema
Big Mike's
43
Nikon
72
Travel
Big Mike's
32
Nikon
69
Landscape
Big Mike's
35
Nikon
68
Professional
Big Mike's
37
Nikon
64
Wildlife Sports
Big Mike's
31
Nikon
61

Specifications

Big Mike's SLY500 500mmNikon NIKKOR 2178 16-85mm
Optics
Typetelephotozoom
Focal Length Min500 mm16 mm
Focal Length Max1000 mm85 mm
Aspherical Elements—3★
ED Elements—2★
Coatingmulti-coatedSuper Integrated Coating
Aperture
Max Aperturef/8f/3.5
Min Aperturef/83.5-5.6
Constant✓★✗
Diaphragm Blades—7★
Build
MountT MountNikon F
Format—APS-C★
Weight1.16 kg0.48 kg★
Filter Thread67 mm67 mm
AF & Stabilization
AF Typemanual focus onlyAF-S
Stabilization✓✓
Stabilization Stops—4 stops★
Focus
Min Focus Distance500 mm380 mm★

Pros & Cons

Big Mike's SLY500 500mm

  • Strong stabilization (81st percentile)81st %ile
  • Strong versatility (72nd percentile)
  • Below average user sentiment (6th percentile)6th %ile
  • Below average af (14th percentile)14th %ile
  • Below average build (15th percentile)15th %ile

Nikon NIKKOR 2178 16-85mm

  • Strong versatility (94th percentile)94th %ile
  • Strong stabilization (93rd percentile)93rd %ile
  • Strong social proof (91st percentile)91st %ile
  • Strong user sentiment (81st percentile)81st %ile

Verdict

★ Winner: Nikon NIKKOR 2178 16-85mm

Scores 89 overall, wins 9 of 9 usage categories and 7 of 18 specs.

Nikon NIKKOR 2178 16-85mm Better at:

MacroBudgetStreetTravelPortraitLandscapeProfessionalVideo CinemaWildlife Sports