TTArtisan APO F3520-B-LM 35mm
Die TTArtisan APS-C 35mm T2.1 Dual Bokeh Cine sticht durch ihr umschaltbares Bokeh-Design hervor, das zwischen Bubble- und Soft-Modus für zwei völlig unterschiedliche visuelle Stile wechselt. Der Soft-Modus bietet einen präzisen 313°-Fokusweg und eine Naheinstellgrenze von nur 0,28 Metern für detaillierte Nahaufnahmen. Dieses Objektiv eignet sich am besten für Porträtfotografen und Filmemacher, die mit L-Mount-Kameras eine einzigartige kreative Kontrolle über die Hintergrundunschärfe suchen.
Snapshot
The 30-Second Version
The TTArtisan 35mm f/1.4 is a tiny, all-metal manual focus lens that delivers absolutely gorgeous bokeh for under $100. It's a portrait and street photography gem, but the optical sharpness is a weak spot and there's no autofocus. If you want to slow down and enjoy the process, it's a fantastic buy. If you need clinical sharpness or fast AF, look elsewhere.
Pros & Cons
Pros
- Gorgeous bokeh thanks to the 10-blade diaphragm and f/1.4 aperture, ranking near the top of our database. 98th
- Incredibly compact and lightweight at 180g, making it a no-brainer to keep in your bag. 97th
- Solid all-metal build quality that feels much more expensive than it is. 81th
- Strong close-up performance for a non-macro lens, great for detail shots.
- The manual focus experience is smooth and dampened, encouraging a more thoughtful shooting style.
Cons
- Optical sharpness is a weak spot, especially at the edges and wide open.
- Manual focus only, which can be frustrating for fast-moving subjects.
- Not weather-sealed, so you'll need to be careful in rain or dust.
- Very limited versatility, it's a one-trick pony for portraits and street photography.
- Some listings incorrectly call this a tilt-shift lens when it only has a tilt function.
What owners think
The Word on the Street
Wie sich die Meinung der Besitzer im Lauf der Zeit verändert hat
ExklusivBasierend darauf, wann Kunden ihre Bewertungen tatsächlich geschrieben haben - so sehen Sie, ob das anfängliche Lob anhielt.
- Q3 202596/100
Buyers praise the solid build, unique bokeh control, and tilt function. Some note a learning curve for manual focus and missing English guides.
- Solid all-metal construction and satisfying heft praised across reviews.
- Unique bokeh control slider offers creative flexibility for filmmakers.
- Manual focus and tilt have a learning curve, especially for beginners.
- Lens cap rendered useless when a filter is attached; no English guides included.
- Q2 202573/100
Buyers praised the lens's creative tilt-shift capability and value, but noted manual focus challenges and a past build defect.
- Excellent value for tilt-shift functionality at $169, offering creative flexibility.
- Manual focus is smooth but tricky with tilt; requires practice and camera aids.
- Good image quality, sharp when stopped down, with vibrant colors and cinematic look.
- One report of lens coming apart due to loose set screws in a prior purchase.
- Q2 202290/100
Buyers praised this manual focus lens for its retro character, image quality, and value on mirrorless cameras.
- Great value for the price, especially on APS-C mirrorless cameras.
- Retro image quality and character, especially wide open and in black and white.
- Compact, lightweight, and fun to use with manual focus.
- Compatible with Nikon Z FC, Fuji X-E4, and Canon EOS-M.
- Q1 202260/100
Buyers found this budget lens a good value for the price, praising image quality and build, but noted a stiff focus ring and unbalanced weight.
- Good value for the price, especially for experimentation or street photography.
- Image quality is good, but focus ring is stiff and weight is unbalanced.
- Cheap construction; stiff focus ring and unbalanced weight with small cameras.
- Clunky screw-on lens cap is inconvenient for everyday use.
- Q4 202187/100
Buyers praise this lens as sharp, fun, and good value, though some note minor attachment fidgetiness and lack of documentation.
- Sharp, fast, light, and fun manual lens that brings back classic photography.
- Good value but lacks documentation for some camera brands like Nikon.
- Attachment can be fidgety, requiring a wiggle to secure properly.
- Works well with focus peaking on Fuji and produces crisp shots on Olympus.
Basierend auf 25 datierten Kundenbewertungen, gruppiert nach Kalenderquartal. Die Periodenanalyse ist in englischer Sprache.
The proof
Performance
The star of the show here is the bokeh, and the numbers back it up. That 10-blade diaphragm combined with the f/1.4 aperture produces some of the smoothest, creamiest background blur you'll find at this price point. It's a standout for subject isolation, making your portraits pop in a way that a kit zoom simply can't match. The macro performance is also surprisingly strong, well above average, which means you can get reasonably close to your subject and still get a sharp shot with that beautiful blur.
Sharpness is where things get a little complicated. Wide open at f/1.4, the lens has a soft, almost vintage glow, which some people love for portraits. Stop it down to f/2.8 or f/4, and it cleans up nicely in the center, but the edges never really get tack-sharp. This is a lens with a distinct personality. If you're shooting landscapes or architecture where you need detail across the entire frame, this is a real letdown, and our optical score reflects that. But for people, pets, and everyday snapshots, the rendering is genuinely charming.
Specifications
Full Specifications
Optics
| Type | prime |
| Focal Length Min | 35 |
| Focal Length Max | 35 |
| Elements | 12 |
| Groups | 9 |
| Aspherical Elements | 1 |
| ED Elements | 3 |
Aperture
| Max Aperture | f/1.4 |
| Min Aperture | 1.4 |
| Constant | Yes |
| Diaphragm Blades | 10 |
Build
| Mount | Leica M |
| Format | full-frame |
| Weight | 0.5 kg / 1.1 lbs |
| Filter Thread | 39 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | Yes |
Focus
| Min Focus Distance | 701 |
vs Competition
The most obvious competitor is a first-party lens like the Fujifilm XF 35mm f/1.4 R. The Fuji is optically superior, with better sharpness across the frame and, of course, fast and silent autofocus. But it's also bigger, heavier, and significantly more expensive. If you need a reliable workhorse for events or fast-paced shooting, the Fuji is the better tool. The TTArtisan is for when you want to experiment and don't mind missing a few shots in exchange for a more engaging experience.
On the other end of the spectrum, you have modern autofocus primes from brands like Viltrox. The Viltrox AF 35mm f/1.7, for example, gives you autofocus and solid image quality for not much more money. It's a more practical choice for most people. The TTArtisan stands out by being even smaller, fully mechanical, and offering a rendering style that feels more analog. It's a niche choice, but if you're shooting on a tiny rangefinder-style body and want the smallest possible setup, this lens is hard to beat.
| Spec | TTArtisan APO F3520-B-LM 35mm | Sigma Contemporary 16-300mm f/3.5-6.7 DC OS | Tamron Di III 28-75mm f/2.8 Di III VXD G2 | Panasonic LUMIX S S-R28200 | Nikon NIKKOR Z DX 16-50mm f/3.5-6.3 VR | Canon RF RF 28-70mm f/2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 35mm | 16-300mm | 28-75mm | 28-200mm | 16-50mm | 28-70mm |
| Max Aperture | f/1.4 | f/3.5 | f/2.8 | f/4 | f/3.5 | 22 |
| Mount | Leica M | Sony E | Sony E | L-Mount | Nikon Z | Canon RF |
| Stabilization | true | true | false | true | true | true |
| Weather Sealed | false | true | true | true | false | true |
| Weight (g) | 510 | 615 | 540 | 413 | 135 | 495 |
| AF Type | manual focus only | HLA | VXD | Autofocus | Stepping Motor | STM |
| Lens Type | prime | zoom | zoom | macro | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Bokeh | Build | Macro | Optical | Aperture | Versatility | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| TTArtisan APO F3520-B-LM 35mm | 15.2 | 97.7 | 46.1 | 43.9 | 64.2 | 96.7 | 34 | 46.3 | 80.7 |
| Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Compare | 55.2 | 86.4 | 57.6 | 86.7 | 98.9 | 79.6 | 99.6 | 77.9 | 99 |
| Tamron Di III 28-75mm f/2.8 Di III VXD G2 Compare | 55.2 | 88 | 64 | 85.5 | 91 | 85.9 | 78.4 | 91.8 | 35.8 |
| Panasonic LUMIX S S-R28200 Compare | 55.2 | 80.6 | 73.5 | 71.5 | 91 | 74.3 | 95.6 | 62.6 | 99.4 |
| Nikon NIKKOR Z DX 16-50mm f/3.5-6.3 VR Compare | 86.1 | 77.8 | 90.2 | 36.6 | 69.7 | 79.6 | 83.5 | 74 | 94.4 |
| Canon RF RF 28-70mm f/2.8 IS STM Compare | 86.1 | 29.4 | 66.9 | 77.6 | 84.5 | 25.3 | 77.4 | 88 | 98.2 |
Price
Value & Pricing
Pricing on this lens is all over the map, with a spread of over $3,300 across different vendors. That's wild, and it's mostly because some listings are for completely different cine or tilt versions of the lens. The standard APS-C 35mm f/1.4 you actually want should be found at the very bottom of that range, typically around $80 to $100. At that price, it's an absolute steal. You're getting a fast prime with best-in-class bokeh for less than the cost of a decent camera bag.
When you compare it to something like a first-party Fuji 35mm f/1.4, which costs several times more, the value proposition is clear. You give up autofocus and some optical sharpness, but you keep most of the fun. Just make sure you're buying the right version. Double-check the listing to avoid accidentally paying hundreds for a cine lens when you just want the tiny stills prime.
Amazon.com.mx 1 Angebote Ab 3.389 MX$
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Overview
TTArtisan has carved out a nice little niche for itself making lenses that feel like a throwback, and the APS-C 35mm f/1.4 is exactly that. It's a fully manual prime designed for mirrorless cameras, and on an APS-C sensor, that 35mm focal length gives you roughly a 52mm equivalent field of view. That's basically the classic "nifty fifty" perspective, which is why our database scores it so highly for portraits. You get a natural, flattering look without any weird distortion, and the fast f/1.4 aperture lets in a ton of light.
This lens is for photographers who want to slow down and enjoy the process. There's no autofocus here, so you'll be turning a physical focus ring to nail your shot. The build quality is solid for the price, landing in the 84th percentile in our rankings, and it's tiny. At just 180g, you can toss it on a small body like a Sony a6000 series or a Fuji X-E4 and carry it around all day without feeling it. It's a fantastic travel companion if you don't mind manual focus.
But let's be real about what this lens is and isn't. It's not a do-it-all zoom, and our versatility score puts it in the bottom third of lenses we've tested. The optical quality is also a weak spot, sitting in the 15th percentile. You're not buying this for corner-to-corner clinical sharpness. You're buying it for character, for that dreamy wide-open bokeh that ranks in the 98th percentile, and for the sheer joy of shooting with a tactile, all-metal prime.
Common Questions
Q: Does this lens have autofocus?
No, this is a fully manual focus lens. There are no electronic contacts, so your camera won't communicate with it at all. You'll need to focus using the ring on the lens barrel, and features like focus peaking on your mirrorless camera will be a huge help.
Q: Is this lens really a tilt-shift lens?
No, despite what some product listings say, this is only a tilt lens. It lets you angle the plane of focus to create a miniature effect or get a sharp plane across an angled subject. It does not have the shift function needed to correct perspective distortion for architecture.
Q: Will this lens work on my full-frame camera?
This lens is designed for APS-C sensors. You can physically mount it on many full-frame L-mount or E-mount cameras, but you'll get heavy vignetting, meaning the corners of your image will be black. You'd need to shoot in your camera's APS-C crop mode, which reduces your resolution.
Q: Is the f/1.4 aperture good for low light?
Absolutely. The wide f/1.4 maximum aperture lets in a ton of light, which is great for shooting in dim conditions without having to crank up your ISO. Combined with the short telephoto equivalent focal length, it's also perfect for getting a shallow depth of field and separating your subject from the background.
Who Should Skip This
You should skip this lens if you need autofocus for any kind of action, family, or pet photography. Manually focusing on a moving toddler is an exercise in frustration, and you'll miss more shots than you get. Look at the Viltrox AF 35mm f/1.7 or a used first-party lens instead. You should also pass if you need sharp, detailed images across the entire frame for landscapes or product photography. This lens is all about the center subject and the bokeh, and the edges never really catch up. A modern kit zoom might actually serve you better for that kind of work.
Verdict
If you're a portrait shooter on a budget who loves manual focus, just buy this lens. The bokeh is genuinely stunning, and the 52mm equivalent focal length is perfect for faces. It's also a great choice for street photographers who want to be discreet. The tiny size and silent operation let you blend in, and zone focusing with the manual ring becomes second nature after a day of shooting.
But if you need a lens that can do it all, this isn't it. The lack of sharpness across the frame makes it a poor choice for landscapes or any kind of commercial work where edge-to-edge detail matters. And if you're shooting kids, pets, or anything else that moves unpredictably, the manual focus will drive you crazy. In those cases, save up for a used first-party autofocus prime or one of the newer budget AF options from Viltrox or Meike.