Panasonic LUMIX S1R II Black 2024
Der 44,3-Megapixel-Vollformat-CMOS-Sensor kombiniert mit 40-fps-Raw-Serienbildaufnahmen und einem um 25 % leichteren Gehäuse als der S1R macht diese Kamera zu einem vielseitigen Hybrid-Werkzeug. Die interne 8K-30p- und 4K-120p-10-Bit-Videoaufzeichnung sowie 6.4K-Open-Gate-Shooting bieten enorme Flexibilität für die Nachbearbeitung. Sie eignet sich am besten für Hochzeitsfotografen und Videofilmer, die hochauflösende Standbilder und kinoreife Bewegtaufnahmen in einem einzigen, wetterfesten Body benötigen.
Überblick
The 30-Second Version
The Panasonic S1R II delivers video performance in the 99th percentile, with 8K, 4K 120p, and internal ProRes RAW that out-specs cameras costing thousands more. Stills shooters will love the 44.3MP sensor and top-tier EVF. But severe overheating during video is a widely reported problem that cripples its reliability for professional video work, making it a brilliant but flawed hybrid.
Pros & Cons
Vorteile
- Video quality is best-in-class, hitting the 99th percentile in our tests 99th
- 40fps burst with AF-C makes it a leading choice for sports and wildlife 97th
- Phase Hybrid AF is a standout, tracking subjects with impressive tenacity 97th
- Internal ProRes RAW recording is a massive perk for video workflows 93rd
- The 5.76m-dot EVF is one of the best on the market right now
Nachteile
- Severe overheating shuts down video recording, a major reliability flaw
- No PC sync terminal, forcing studio shooters to use adapters or wireless triggers
- Internal audio preamps are noisy, a letdown even with the XLR adapter
- Battery life is mediocre at 340 shots, so you'll want spares for a full day
- 4K video above 30fps forces a crop, limiting wide-angle flexibility
Was Besitzer sagen
The Word on the Street
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Die Fakten
Performance
This camera is a speed demon where it counts. The 40fps burst shooting with continuous autofocus puts it among the leaders for action, and the 779-point Phase Hybrid AF system is a standout, earning a 91st percentile ranking. In practice, that means sticky subject tracking that holds onto a bird's eye even as it darts through branches. The 5.76m-dot EVF is one of the best on the market, making it a joy to compose shots. For video, the internal ProRes and ProRes RAW recording is a huge workflow win, and the 6.4K open gate shooting gives you serious flexibility in post. The 5-axis IBIS is strong, rated for 8 stops, and the Active I.S. does a solid job smoothing out handheld walking shots. The 44.3MP sensor itself lands in the middle of the pack for its class, but the color science and dynamic range are what really set the images apart.
Specifications
Full Specifications
Sensor
| Type | CMOS |
| Size | full-frame |
| Megapixels | 44.3 MP |
| ISO Range | 40 |
Autofocus
| AF Points | 779 |
| AF Type | -6 to +18 EV |
| Eye AF | Yes |
| Subject Detection | Yes |
Shooting
| Burst (Mechanical) | 40 |
| Max Shutter | 1/8000 |
| Electronic Shutter | Yes |
Video
| Max Resolution | 8K |
| 4K FPS | 120 |
| 1080p FPS | 60 |
| 10-bit | Yes |
| Log Profile | Yes |
| RAW Video | Yes |
| Codec | H.264 Long GOP/MOV 4:2:0 10-Bit, H.264 Long GOP/MOV 4:2:2/4:2:0 8/10-Bit |
Display & EVF
| Screen Size | 3" |
| Touchscreen | Yes |
| Articulating | Yes |
| EVF Resolution | 5.76 M dots |
Build
| Weather Sealed | Yes |
| Weight | 0.7 kg / 1.6 lbs |
| Battery Life | 340 |
Connectivity
| Wi-Fi | Yes |
| Bluetooth | Yes |
| USB | USB-C 3.0 / 3.1/3.2 Gen 1 |
| HDMI | HDMI Output |
| Hot Shoe | Yes |
vs Competition
Stacked against the Sony a1 II, the S1R II gives you internal ProRes RAW and a higher-res EVF for less money, but Sony's autofocus is still the gold standard and it doesn't have the same overheating reputation. The Nikon Z9 is a tank with better battery life and a more robust build, but it's heavier and pricier. The Canon EOS R6 Mark III is a fantastic all-rounder with better overheating management, though it can't touch the S1R II's 8K or 40fps burst. For a pure stills shooter, the Fujifilm X-H2 offers a 40MP sensor in a smaller, cheaper package, but its video chops aren't in the same league.
| Spec | Panasonic LUMIX S1R II | Sony a1 II | Nikon Z Z8 | Fujifilm X-T X-T5 | Canon EOS R6 Mark II | OM System OM-1 Mark II |
|---|---|---|---|---|---|---|
| Type | mirrorless | mirrorless | mirrorless | mirrorless | mirrorless | mirrorless |
| Sensor | 44.3MP full-frame | 50.1MP full-frame | 45.7MP full-frame | 40.2MP aps-c | 24.2MP full-frame | 20.4MP micro-four-thirds |
| AF Points | 779 | 759 | 493 | 425 | 1053 | 1053 |
| Burst FPS | 40 | 30 | 30 | 15 | 12 | 120 |
| Video | 8K @120fps | 8K @120fps | 8K @120fps | 6K @60fps | 4K @60fps | 4K @60fps |
| IBIS | true | true | true | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 710 | 658 | 820 | 476 | 590 | 511 |
| Compare | Compare | Compare | Compare | Compare |
| Produkt | AF | EVF | Build | Burst | Video | Sensor | Battery | Display | Connectivity | Nutzerresonanz | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Panasonic LUMIX S1R II | 91.3 | 96.9 | 97.1 | 88.5 | 98.5 | 61.6 | 88.2 | 81 | 92.7 | 59.1 | 82.9 |
| Sony a1 II Compare | 95 | 98.5 | 96.3 | 89.8 | 98.5 | 67 | 91.4 | 99.4 | 92.7 | 96.8 | 99.5 |
| Nikon Z Z8 Compare | 88.8 | 87.5 | 98.2 | 96 | 99.3 | 63.2 | 88.2 | 81 | 92.7 | 96.8 | 82.9 |
| Fujifilm X-T X-T5 Compare | 86.2 | 92.2 | 91.1 | 78.6 | 86.7 | 98.6 | 95.4 | 81 | 84.1 | 96.8 | 92.9 |
| Canon EOS R6 Mark II Compare | 98.1 | 85.8 | 93.9 | 87 | 82.3 | 46.4 | 98.6 | 81 | 92.7 | 92 | 97.9 |
| OM System OM-1 Mark II Compare | 98.1 | 88.3 | 88.4 | 99.8 | 82.3 | 38.3 | 93.8 | 81 | 92.7 | 86.7 | 99.5 |
Preis
Value & Pricing
Pricing is all over the map, with a spread from $2,998 to a frankly absurd $638,963 across vendors. At the low end, under $3,500, this camera is a screaming deal for the video specs and image quality you're getting. It undercuts the Sony a1 II and Nikon Z9 by a significant margin while offering comparable, and in some cases superior, video features. Just make sure you're buying from a reputable seller and not the one asking for the price of a house.
Amazon.com.mx 1 Angebot Ab 68.997 MX$
Wir verfolgen die Preise für dieses Produkt seit dem 26. Mai 2026. Das Diagramm erscheint, sobald mehr Daten vorliegen.
Mehr erfahren
Overview
The Panasonic S1R II lands in our database as a video monster, scoring in the absolute top tier for video performance. That 99th percentile ranking puts it ahead of nearly every mirrorless camera we've tested. You're getting 8K recording, 4K at 120fps, and internal ProRes RAW, which is a spec sheet that reads more like a dedicated cinema camera. The 44.3MP sensor also delivers genuinely stunning stills, with detail that makes landscapes and studio work pop. But there's a catch, and it's a big one: owners are reporting serious overheating issues that can cut your video shoots short, even after firmware updates.
Common Questions
Q: Can I plug my studio flash directly into this camera?
Nope, there's no PC sync terminal on the S1R II. You'll need to use the hot shoe with a wireless trigger or an adapter. It's a bit of a miss for studio photographers who rely on wired flash setups.
Q: How reliable is this for long video shoots?
Based on our data and widespread owner reports, not very. The overheating issue is real and can stop your recording even after firmware updates. For short, high-quality clips it's a beast, but don't count on it for a continuous 30-minute interview.
Q: Is the autofocus finally good enough for fast action?
Absolutely. The Phase Hybrid AF system ranks in the 91st percentile in our database, which puts it well above average. It uses AI to track humans and animals with impressive stickiness, and it keeps up with the 40fps burst shooting, making it a strong choice for sports and wildlife.
Who Should Skip This
Videographers who need to record long, uninterrupted clips should look elsewhere. The overheating problem isn't a minor quirk, it's a fundamental reliability issue that makes this camera a poor fit for event work, long interviews, or any situation where you can't afford a sudden shutdown. The noisy internal audio preamps and lack of a timecode input further push serious video pros toward something like a Nikon Z9 or a dedicated cinema camera.
Verdict
The S1R II is a phenomenal stills camera and a spec-sheet dream for video, but the real-world overheating reports are a dealbreaker for anyone who needs reliable long-form recording. If your work is primarily photography with occasional video clips, you'll be thrilled. The image quality is exceptional, the autofocus is a massive leap forward for Panasonic, and that EVF is gorgeous. But if you're a hybrid shooter who needs to roll for 30 minutes straight without a sweat, this camera's thermal issues make it a risky bet, no matter how good the footage looks.