Sigma 485101
Its defining characteristic is the full 180-degree circular image it projects onto full-frame sensors, creating a distinctive, frame-filling fisheye effect. The use of SLD glass and a Super Multi-Layer coating ensures strong correction of chromatic aberration and effective flare suppression for clean image quality. This lens is best for experimental photographers and astrophotographers seeking a dedicated circular fisheye perspective, not a standard rectilinear wide-angle.
Resumo
The 30-Second Version
The macro performance here is a standout, landing in the 88th percentile and letting you get ridiculously close. The circular 180° fisheye is one-of-a-kind for the price, but you'll pay for it with a dull f/3.5 max aperture, zero bokeh, and inconsistent autofocus. At $249-ish on Amazon, it's a cheap ticket to some seriously creative shots.
Pros & Cons
Prós
- 88th percentile macro capability lets you focus to 5.3 inches 92nd
- Produces a true 180° circular fisheye effect that simplifies panoramic shots 68th
- Sharp center resolution and good color, per multiple user reports
- Lightweight at 400g and doesn't have a protruding front element
- Works with FTZ adapter on Nikon Z for manual focus fun
Contras
- Aperture maxes out at f/3.5, placing it in the 19th percentile for light gathering
- Bokeh quality is miserable (6th percentile); 6 straight blades don't help
- No autofocus on entry-level Nikon DSLRs that lack a screw-drive motor
- Noticeable chromatic aberration and corner noise in high-contrast scenes
- No image stabilization, making handheld low-light work tricky
O que dizem os donos
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.
Com base em 10 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
As provas
Performance
For a 400g lump of glass, the Sigma 8mm delivers an instantly recognizable look. The 180-degree angle of view projects a full circular image onto a full-frame sensor, and you can get the front element within 5.3 inches of your subject, which explains that 88th percentile macro rating. Optical quality is about average overall (53rd percentile), but our database shows it's sharp enough in the center; just expect some chromatic aberration, especially that purple fringing (or aurora, as a few owners call it) near high-contrast edges. The 6-blade aperture doesn't do it any favors in the bokeh department either, landing dead last at the 6th percentile. So if you're chasing smooth, creamy backgrounds, this is not your lens. What it does offer is a unique creative perspective that's hard to replicate without a similar ultra-wide prime.
Specifications
Full Specifications
Optics
| Type | Fisheye |
| Focal Length Min | 8 |
| Focal Length Max | 8 |
| Elements | 11 |
| Groups | 6 |
| ED Elements | 1 |
| Coating | Super Multi-Layer Coating |
Aperture
| Max Aperture | f/22 |
| Min Aperture | f/3.5 |
| Constant | Yes |
| Diaphragm Blades | 6 |
Build
| Mount | Nikon F |
| Format | full-frame |
| Weight | 0.4 kg / 0.9 lbs |
AF & Stabilization
| AF Type | Autofocus (with Nikon Cameras That Have an Autofocus Motor) |
| Stabilization | No |
Focus
| Min Focus Distance | 135 |
| Max Magnification | 1:4.6 |
vs Competition
Stack this Sigma against the sea of all-around zooms like the Nikon Z 18-140mm or Canon RF-S 18-150mm, and it's an entirely different animal. Those lenses are sharp, fast-to-focus, and versatile. This 8mm can't zoom, can't stabilize, and can't autofocus on some bodies. But none of the rivals can twist reality into a full-circle 180° view or let you focus a subject 5.3 inches from the front. If you're after that specific look for real estate virtual tours or creative portraits, the Sigma is a cheap creative sidearm. The Viltrox AF 9mm F2.8 E offers a wider aperture but it's rectilinear, not circular, so it's a different tool entirely. Choose based on whether you need round distortion or just an ultra-wide view.
| Spec | Sigma 485101 | Nikon NIKKOR Z 17-28mm f/2.8 | Tamron Di III 28-75mm f/2.8 VXD G2 | Panasonic Leica DG Vario-Elmarit H-ES12060 | Canon RF 28-70mm f/2.8 IS STM | Sony G SELP28135G.SYX |
|---|---|---|---|---|---|---|
| Focal Length | 8mm | 17-28mm | 28-75mm | 12-60mm | 28-70mm | 28-135mm |
| Max Aperture | f/22 | f/2.8 | f/2.8 | f/2.8 | f/22 | f/4 |
| Mount | Nikon F | Nikon Z | Sony E | Micro Four Thirds | Canon RF | Sony E |
| Stabilization | false | false | false | true | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 400 | 450 | 540 | 320 | 495 | 420 |
| AF Type | Autofocus (with Nikon Cameras That Have an Autofocus Motor) | Stepping Motor | VXD | linear motor | STM | SSM |
| Lens Type | fisheye | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produto | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Prova social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Sigma 485101 | 54.6 | 6.2 | 48.1 | 91.5 | 54.9 | 22.6 | 44.2 | 33.6 | 67.7 | 38 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 87 | 88.1 | 73.6 | 86.3 | 87 | 85.8 | 90.8 | 68.1 | 64.6 | 38 |
| Tamron Di III 28-75mm f/2.8 VXD G2 Compare | 54.6 | 88.1 | 67.2 | 87.3 | 87.8 | 85.8 | 80.4 | 78.2 | 83.1 | 38 |
| Panasonic Leica DG Vario-Elmarit H-ES12060 Compare | 98 | 88.1 | 83.1 | 50.4 | 90.2 | 85.8 | 44.2 | 93.1 | 63.5 | 83.2 |
| Canon RF 28-70mm f/2.8 IS STM Compare | 87 | 25.9 | 70.2 | 80.4 | 85 | 22.6 | 98.1 | 77.2 | 87.9 | 98.5 |
| Sony G SELP28135G.SYX Compare | 94.2 | 80.2 | 75.5 | 31.2 | 87 | 69.9 | 63.3 | 92.4 | 50.2 | 92.8 |
Preço
Value & Pricing
Finding this lens at a sane price is a bit of a treasure hunt. We've seen it listed for as little as $249 on Amazon, while other vendors apparently dream of selling it for thousands. That spread is wild, but if you grab it at the low end, it's a fantastic deal for a creative fisheye. Just don't overpay: at full retail fantasies, you'd be better off renting one or looking at modern alternatives.
Acompanhamos os preços deste produto desde 3 de mai. de 2026. O gráfico aparecerá quando tivermos mais dados.
Saiba mais
Overview
This lens is a niche tool that does one thing really well: pull your subject so close it's practically kissing the glass, then wrap the rest of the scene in a full 180-degree circle. Our data shows its macro performance sits in the 88th percentile, making it a tiny king of close-up wackiness. But that fame comes with a few trade-offs. The aperture's a sluggish f/3.5 (good for depth of field, lousy for low light), autofocus relies on your camera's internal motor, and the bokeh is, frankly, one of the worst we've seen.
Still, owners rave about the sharpness and color, and you can snag it online for shockingly cheap if you hunt around. Just don't expect it to double as a walkaround lens or video workhorse.
Common Questions
Q: Will this lens work on a Nikon Z camera with the FTZ adapter?
Yes, it'll mount and work in manual focus mode. The lens has no internal AF motor, so you'll need to focus manually, even with the adapter. Given its ultra-wide depth of field, manual focus is manageable, but don't expect any autofocus on Z bodies.
Q: How close can I get to a subject?
The minimum focus distance is 5.3 inches (13.5 cm), letting you bring objects extremely close to the front element. That's why its macro score ranks at the 88th percentile in our database, outperforming many dedicated close-up lenses in sheer nearness.
Q: Is this a good lens for shooting video?
Not really. Our video score for this lens is only 22.1 out of 100. No image stabilization, a noisy manual focus on most bodies, and the slow f/3.5 aperture make it a poor fit for video work. You'd be better off with a stabilized ultra-wide zoom.
Who Should Skip This
If you need a lens that's fast in low light, look elsewhere. The f/3.5 max aperture sits at the 19th percentile, so dim interiors are a challenge. Autofocus is a no-go on entry-level Nikons and other bodies without a screw-drive motor, which rules out a bunch of budget DSLR shooters. The bokeh is basically non-existent, and video shooters will hate the lack of stabilization. Also, if chromatic aberration bothers you, the purple fringing here is real. This isn't a do-it-all lens; if you just want a general wide-angle, a modern zoom will serve you far better.
Verdict
The Sigma 8mm f/3.5 EX DG is a quirky specialist. Its 88th percentile macro talent and unique circular projection make it a blast for fisheye enthusiasts and panoramic shooters on a budget. Just know that the f/3.5 aperture, lack of stabilization, and autofocus limitations mean you'll need some patience and a body with a focus motor. User sentiment hovers around the 43rd percentile overall, which tells you plenty of people love the effect but the lens isn't without its rough edges. If you find a good deal and love weird wide-angle work, it's worth a spin.