Sigma 485101

★★★★☆ 4.2 (139)

Its defining characteristic is the full 180-degree circular image it projects onto full-frame sensors, creating a distinctive, frame-filling fisheye effect. The use of SLD glass and a Super Multi-Layer coating ensures strong correction of chromatic aberration and effective flare suppression for clean image quality. This lens is best for experimental photographers and astrophotographers seeking a dedicated circular fisheye perspective, not a standard rectilinear wide-angle.

Focal length 8mm
Aperture f/22
Mount Nikon F
Weight 400 g
af type Autofocus (with Nikon Cameras That Have an Autofocus Motor)
lens type fisheye
Sigma 485101 lens
44 Pontuação Geral
Também disponível em:

Resumo

The 30-Second Version

The macro performance here is a standout, landing in the 88th percentile and letting you get ridiculously close. The circular 180° fisheye is one-of-a-kind for the price, but you'll pay for it with a dull f/3.5 max aperture, zero bokeh, and inconsistent autofocus. At $249-ish on Amazon, it's a cheap ticket to some seriously creative shots.

Pros & Cons

Prós

  • 88th percentile macro capability lets you focus to 5.3 inches 92nd
  • Produces a true 180° circular fisheye effect that simplifies panoramic shots 68th
  • Sharp center resolution and good color, per multiple user reports
  • Lightweight at 400g and doesn't have a protruding front element
  • Works with FTZ adapter on Nikon Z for manual focus fun

Contras

  • Aperture maxes out at f/3.5, placing it in the 19th percentile for light gathering
  • Bokeh quality is miserable (6th percentile); 6 straight blades don't help
  • No autofocus on entry-level Nikon DSLRs that lack a screw-drive motor
  • Noticeable chromatic aberration and corner noise in high-contrast scenes
  • No image stabilization, making handheld low-light work tricky

O que dizem os donos

The Word on the Street

4.2/5 (139 reviews)
👍 Owners praise the sharpness and unique circular fisheye look, especially for panoramic photography.
👎 Many note that autofocus doesn't work on entry-level Nikon DSLRs, forcing manual focus.
🤔 Chromatic aberration (the aurora effect) and noise in dark corners are common, but shooters often adjust and still love the lens.

Como a opinião dos donos mudou ao longo do tempo

Exclusivo

Com base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.

A opinião dos donos manteve-se estável ao longo do tempo
82/100Nossa análise de sentimento por IAconfiança média · 18 fontes · mai. de 2026
1★2★3★4★5★Q3 '14: 5.0★ · 1 avaliaçãoQ2 '16: 5.0★ · 1 avaliação111211111Q3 '14Q2 '16Q1 '22Q4 '23Q2 '24Q3 '24Q4 '24Q1 '25Q2 '25
Avaliação médiaSatisfeitos (4-5★)Insatisfeitos (1-2★)Altura da barra = número de avaliações

Com base em 10 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.

As provas

Performance

For a 400g lump of glass, the Sigma 8mm delivers an instantly recognizable look. The 180-degree angle of view projects a full circular image onto a full-frame sensor, and you can get the front element within 5.3 inches of your subject, which explains that 88th percentile macro rating. Optical quality is about average overall (53rd percentile), but our database shows it's sharp enough in the center; just expect some chromatic aberration, especially that purple fringing (or aurora, as a few owners call it) near high-contrast edges. The 6-blade aperture doesn't do it any favors in the bokeh department either, landing dead last at the 6th percentile. So if you're chasing smooth, creamy backgrounds, this is not your lens. What it does offer is a unique creative perspective that's hard to replicate without a similar ultra-wide prime.

Performance Percentiles

AF 54.6
Bokeh 6.2
Build 48.1
Macro 91.5
Optical 54.9
Aperture 22.6
User Sentiment 44.2
Versatility 33.6
Prova social 67.7
Stabilization 38

Specifications

Full Specifications

Optics

Type Fisheye
Focal Length Min 8
Focal Length Max 8
Elements 11
Groups 6
ED Elements 1
Coating Super Multi-Layer Coating

Aperture

Max Aperture f/22
Min Aperture f/3.5
Constant Yes
Diaphragm Blades 6

Build

Mount Nikon F
Format full-frame
Weight 0.4 kg / 0.9 lbs

AF & Stabilization

AF Type Autofocus (with Nikon Cameras That Have an Autofocus Motor)
Stabilization No

Focus

Min Focus Distance 135
Max Magnification 1:4.6

vs Competition

Stack this Sigma against the sea of all-around zooms like the Nikon Z 18-140mm or Canon RF-S 18-150mm, and it's an entirely different animal. Those lenses are sharp, fast-to-focus, and versatile. This 8mm can't zoom, can't stabilize, and can't autofocus on some bodies. But none of the rivals can twist reality into a full-circle 180° view or let you focus a subject 5.3 inches from the front. If you're after that specific look for real estate virtual tours or creative portraits, the Sigma is a cheap creative sidearm. The Viltrox AF 9mm F2.8 E offers a wider aperture but it's rectilinear, not circular, so it's a different tool entirely. Choose based on whether you need round distortion or just an ultra-wide view.

Spec Sigma 485101 Nikon NIKKOR Z 17-28mm f/2.8 Tamron Di III 28-75mm f/2.8 VXD G2 Panasonic Leica DG Vario-Elmarit H-ES12060 Canon RF 28-70mm f/2.8 IS STM Sony G SELP28135G.SYX
Focal Length 8mm 17-28mm 28-75mm 12-60mm 28-70mm 28-135mm
Max Aperture f/22 f/2.8 f/2.8 f/2.8 f/22 f/4
Mount Nikon F Nikon Z Sony E Micro Four Thirds Canon RF Sony E
Stabilization false false false true true true
Weather Sealed false true true true true true
Weight (g) 400 450 540 320 495 420
AF Type Autofocus (with Nikon Cameras That Have an Autofocus Motor) Stepping Motor VXD linear motor STM SSM
Lens Type fisheye zoom zoom zoom zoom zoom
Compare Compare Compare Compare Compare
Produto AFBokehBuildMacroOpticalApertureUser SentimentVersatilityProva socialStabilization
Sigma 485101 54.66.248.191.554.922.644.233.667.738
Nikon NIKKOR Z 17-28mm f/2.8 Compare 8788.173.686.38785.890.868.164.638
Tamron Di III 28-75mm f/2.8 VXD G2 Compare 54.688.167.287.387.885.880.478.283.138
Panasonic Leica DG Vario-Elmarit H-ES12060 Compare 9888.183.150.490.285.844.293.163.583.2
Canon RF 28-70mm f/2.8 IS STM Compare 8725.970.280.48522.698.177.287.998.5
Sony G SELP28135G.SYX Compare 94.280.275.531.28769.963.392.450.292.8

Preço

Value & Pricing

Finding this lens at a sane price is a bit of a treasure hunt. We've seen it listed for as little as $249 on Amazon, while other vendors apparently dream of selling it for thousands. That spread is wild, but if you grab it at the low end, it's a fantastic deal for a creative fisheye. Just don't overpay: at full retail fantasies, you'd be better off renting one or looking at modern alternatives.

Acompanhamos os preços deste produto desde 3 de mai. de 2026. O gráfico aparecerá quando tivermos mais dados.

Saiba mais

Overview

This lens is a niche tool that does one thing really well: pull your subject so close it's practically kissing the glass, then wrap the rest of the scene in a full 180-degree circle. Our data shows its macro performance sits in the 88th percentile, making it a tiny king of close-up wackiness. But that fame comes with a few trade-offs. The aperture's a sluggish f/3.5 (good for depth of field, lousy for low light), autofocus relies on your camera's internal motor, and the bokeh is, frankly, one of the worst we've seen.

Still, owners rave about the sharpness and color, and you can snag it online for shockingly cheap if you hunt around. Just don't expect it to double as a walkaround lens or video workhorse.

Common Questions

Q: Will this lens work on a Nikon Z camera with the FTZ adapter?

Yes, it'll mount and work in manual focus mode. The lens has no internal AF motor, so you'll need to focus manually, even with the adapter. Given its ultra-wide depth of field, manual focus is manageable, but don't expect any autofocus on Z bodies.

Q: How close can I get to a subject?

The minimum focus distance is 5.3 inches (13.5 cm), letting you bring objects extremely close to the front element. That's why its macro score ranks at the 88th percentile in our database, outperforming many dedicated close-up lenses in sheer nearness.

Q: Is this a good lens for shooting video?

Not really. Our video score for this lens is only 22.1 out of 100. No image stabilization, a noisy manual focus on most bodies, and the slow f/3.5 aperture make it a poor fit for video work. You'd be better off with a stabilized ultra-wide zoom.

Who Should Skip This

If you need a lens that's fast in low light, look elsewhere. The f/3.5 max aperture sits at the 19th percentile, so dim interiors are a challenge. Autofocus is a no-go on entry-level Nikons and other bodies without a screw-drive motor, which rules out a bunch of budget DSLR shooters. The bokeh is basically non-existent, and video shooters will hate the lack of stabilization. Also, if chromatic aberration bothers you, the purple fringing here is real. This isn't a do-it-all lens; if you just want a general wide-angle, a modern zoom will serve you far better.

Verdict

The Sigma 8mm f/3.5 EX DG is a quirky specialist. Its 88th percentile macro talent and unique circular projection make it a blast for fisheye enthusiasts and panoramic shooters on a budget. Just know that the f/3.5 aperture, lack of stabilization, and autofocus limitations mean you'll need some patience and a body with a focus motor. User sentiment hovers around the 43rd percentile overall, which tells you plenty of people love the effect but the lens isn't without its rough edges. If you find a good deal and love weird wide-angle work, it's worth a spin.

Usage Scores

Macro (60.8)Geral (44.4)Budget (41.3)Street (36.8)Travel (32.1)Portrait (28.2)Landscape (34.4)Professional (38.1)Video Cinema (34.9)Wildlife Sports (32.2)

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