DZOFILM Arles T1.4 Prime Cine 75mm

DZOFILM Arles T1.4 Prime Cine 75mm

DZOFILM
67 Punteggio complessivo
vs
Sigma Contemporary 16-300mm f/3.5-6.7 DC OS

Sigma Contemporary 16-300mm f/3.5-6.7 DC OS

Sigma
98 Punteggio complessivo

Punteggi

Macro
DZOFILM
80
Sigma
100
Landscape
DZOFILM
37
Sigma
100
Budget
DZOFILM
59
Sigma
99
Travel
DZOFILM
33
Sigma
93
Video Cinema
DZOFILM
75
Sigma
90
Wildlife Sports
DZOFILM
45
Sigma
87
Portrait
DZOFILM
75
Sigma
85
Professional
DZOFILM
58
Sigma
84
Street
DZOFILM
58
Sigma
80

Specifiche

DZOFILM Arles T1.4 Prime Cine 75mmSigma Contemporary 16-300mm f/3.5-6.7 DC OS
Optics
Typeprimezoom
Focal Length Min75 mm16 mm
Focal Length Max75 mm300 mm
Elements—20
Groups—14
Aspherical Elements—4★
ED Elements—5★
Coatingmulti-layer nano-coating technology, featuring a specially calibrated blue coatingwater- and oil-repellent coating
Aperture
Max Aperturef/1.4f/3.5
Min Aperturef/1.43.5-6.7
Constant✓★✗
Diaphragm Blades16★9
Build
MountARRI PLSony E
Formatfull-frame★APS-C
Weather Sealed—✓★
Weight—0.61 kg★
Filter Thread—67 mm
AF & Stabilization
AF Type—HLA
Stabilization✓✓
Stabilization Stops—6 stops★
Focus
Min Focus Distance14 mm★170 mm
Max Magnification—1:2★

Pro e Contro

DZOFILM Arles T1.4 Prime Cine 75mm

  • Strong bokeh (99th percentile)99th %ile
  • Strong macro (99th percentile)99th %ile
  • Strong aperture (96th percentile)96th %ile
  • Strong stabilization (82nd percentile)82nd %ile
  • Below average build (32nd percentile)
  • Below average versatility (34th percentile)

Sigma Contemporary 16-300mm f/3.5-6.7 DC OS

  • Strong versatility (100th percentile)100th %ile
  • Strong optical (99th percentile)99th %ile
  • Strong stabilization (99th percentile)99th %ile
  • Strong macro (88th percentile)88th %ile

Verdetto

★ Vincitore: Sigma Contemporary 16-300mm f/3.5-6.7 DC OS

Scores 98 overall, wins 9 of 9 usage categories and 6 of 22 specs.

Sigma Contemporary 16-300mm f/3.5-6.7 DC OS Migliore per:

MacroBudgetStreetTravelPortraitLandscapeProfessionalVideo CinemaWildlife Sports