Mitakon Zhongyi Speedmaster 50mm f/0.95 50mm
Mitakon Zhongyi
43 Gesamtbewertung
vs
Panasonic LUMIX S S-R28200 200-28mm
Panasonic
88 Gesamtbewertung
Bewertungen
Macro
Travel
Landscape
Budget
Video Cinema
Professional
Portrait
Street
Wildlife Sports
Spezifikationen
| Mitakon Zhongyi Speedmaster 50mm f/0.95 50mm | Panasonic LUMIX S S-R28200 200-28mm | |
|---|---|---|
| Optics | ||
| Type | — | zoom |
| Focal Length Min | 50 mm | 28 mm |
| Focal Length Max | 50 mm | 200 mm |
| Elements | 12 | 17 |
| Groups | 6 | 13 |
| Aspherical Elements | — | 1★ |
| ED Elements | — | 4★ |
| Coating | — | Fluorine coating |
| Aperture | ||
| Max Aperture | f/0.95 | f/4 |
| Min Aperture | f/16 | 4-7.1 |
| Constant | — | ✗ |
| Diaphragm Blades | 11★ | 9 |
| Build | ||
| Mount | Canon EF | L-Mount |
| Format | Full-Frame | full-frame |
| Weather Sealed | ✗ | ✓★ |
| Weight | 1.50 kg | 0.41 kg★ |
| Filter Thread | 82 mm | 67 mm |
| AF & Stabilization | ||
| AF Type | — | Autofocus |
| Stabilization | ✗ | ✓★ |
| Stabilization Stops | — | 6.5 stops★ |
| Focus | ||
| Min Focus Distance | 650 mm | 140 mm★ |
| Max Magnification | 1:10★ | 0.5x |
Vor- & Nachteile
Mitakon Zhongyi Speedmaster 50mm f/0.95 50mm
- Strong bokeh (100th percentile)100th %ile
- Strong aperture (100th percentile)100th %ile
- Below average user sentiment (7th percentile)7th %ile
- Below average build (13th percentile)13th %ile
- Below average versatility (33rd percentile)
- Below average social proof (34th percentile)
Panasonic LUMIX S S-R28200 200-28mm
- Strong stabilization (100th percentile)100th %ile
- Strong versatility (95th percentile)95th %ile
- Strong optical (92nd percentile)92nd %ile
- Strong bokeh (79th percentile)
- Below average user sentiment (22nd percentile)
Fazit
Gewinner: Panasonic LUMIX S S-R28200 200-28mm
Scores 88 overall, wins 9 of 9 usage categories and 7 of 22 specs.