Nikon NIKKOR Z DX 50-250mm f/4.5-6.3 VR
Легкий 405-грамовий телеоб'єктив із 5-ступеневою стабілізацією VR та еквівалентною фокусною відстанню 75-375 мм, що робить його ідеальним для зйомки з рук на великій відстані. Один елемент з наднизькою дисперсією (ED) та Super Integrated Coating забезпечують чітке зображення з мінімальними хроматичними абераціями та відблисками. Найкраще підходить для мандрівників та фотографів-початківців, які знімають дику природу або спортивні події на камери Nikon Z DX-формату.
Огляд
The 30-Second Version
The Nikon NIKKOR Z DX 50-250mm f/4.5-6.3 VR is a lightweight, affordable telephoto zoom for Nikon Z DX cameras with excellent 5-stop stabilization and solid sharpness. It's best bought as part of a kit to save money. The plastic mount and slow aperture are the main trade-offs, but for the price, this lens overdelivers.
Pros & Cons
Переваги
- Excellent 5-stop VR stabilization 97th
- Very light at 404g for a 375mm equivalent reach 93rd
- Sharp center performance through most of the range 88th
- Fast, quiet stepping motor AF 86th
- Great value, especially as a kit lens
Недоліки
- Plastic lens mount feels less durable
- Slow variable aperture limits low light use
- No weather sealing
- Bokeh is mediocre at best
- Softens noticeably at 250mm
Думка власників
The Word on the Street
Як змінювалася думка власників із часом
ЕксклюзивНа основі того, коли покупці справді писали відгуки, - щоб побачити, чи виправдалися перші похвали.
- Q3 2026100/100
Buyers praised the lens for its high quality, light weight, fast autofocus, and value for money, especially for wildlife and sports photography.
- High quality lens for the price, good for wildlife and sports.
- Lightweight and compact design, easy to carry.
- Fast and nice autofocus performance.
- Wish for a longer zoom option on APS-C from Nikon.
- Q2 202373/100
Buyers praised the lens's optical quality, sharpness, and versatility, but one criticized its plastic mount as cheap for a longer lens.
- Sharp, detailed images and improved photography.
- Optically excellent but plastic mount feels cheap for a telephoto lens.
- Lightweight, versatile, and trustworthy for casual use.
- Good value for a 50-250mm zoom lens.
- Q2 202197/100
Buyers praise this lens as exceptionally sharp, lightweight, and versatile for travel and wildlife. Many were surprised by its quality for a kit lens, though a few note the plastic mount and slow aperture.
- Sharpness and image quality exceed expectations for a kit lens.
- Lightweight and compact design ideal for travel and walk-around use.
- Versatile focal range works well for wildlife, landscapes, and street photography.
- Plastic lens mount and lack of included lens hood noted as drawbacks.
- Q1 202087/100
Buyers praised the lens for sharpness, compactness, VR, and quality output comparable to FX lenses, though autofocus can struggle in dim light.
- Sharp, compact, and good VR; quality output matches FX lenses.
- Autofocus fast and accurate except in dim light.
- Affordable price with high-quality feel and build.
- Satisfactory performance on both DX and FX cameras.
На основі 65 датованих відгуків покупців, згрупованих за календарними кварталами. Аналіз за періодами - англійською.
Факти
Performance
Sharpness is solid across most of the range. The center is crisp from 50mm through about 200mm, with a slight softening at the long end that's typical for this class. The single ED element does real work here, keeping chromatic aberration mostly invisible in everyday shots. You won't mistake this for Nikon's S-line glass, but for a lens this cheap, the optical performance is well above average.
The VR system is the real star. Nikon claims 5 stops of stabilization, and in practice we found it lets you handhold at 250mm down to around 1/30s without much trouble. That's genuinely useful for wildlife, travel, and even casual video work. The stepping motor autofocus is quick and nearly silent, which makes this a decent option for video shooters on a budget. It's not going to track a speeding bird like a pro sports lens, but for the money, the AF performance is impressive.
Specifications
Full Specifications
Optics
| Type | Telephoto |
| Focal Length Min | 50 |
| Focal Length Max | 250 |
| Elements | 16 |
| Groups | 12 |
| Aspherical Elements | 3 |
| ED Elements | 1 |
| Coating | Super Integrated Coating |
Aperture
| Max Aperture | f/6.3 |
| Min Aperture | 4.5-6.3 |
| Constant | No |
| Diaphragm Blades | 7 |
Build
| Mount | Nikon Z |
| Format | APS-C |
| Weather Sealed | No |
| Weight | 0.5 kg / 1.0 lbs |
| Filter Thread | 62 |
AF & Stabilization
| AF Type | Stepping Motor |
| Stabilization | Yes |
| Stabilization Stops | 5 |
Focus
| Min Focus Distance | 250 |
| Max Magnification | 0.23x |
vs Competition
The most direct competitor is the Sony E 18-135mm f/3.5-5.6 OSS, which covers a wider range on the wide end but gives up a lot of telephoto reach. If you shoot landscapes or street, the Sony is more versatile. If you shoot wildlife, sports, or anything distant, the Nikon's 375mm equivalent reach wins easily.
The Sigma Contemporary 18-50mm f/2.8 DC DN is a completely different animal. It's a fast standard zoom with a constant f/2.8 aperture, which makes it much better for low light and portraits, but it tops out at 75mm equivalent. You'd buy the Sigma for image quality and speed, and the Nikon for reach. The Tamron Di III VC 28-300mm f/4-7.1 is the closest in spirit, offering even more reach in a full-frame compatible package, but it's bigger, heavier, and more expensive. For DX shooters who want a lightweight telephoto, the Nikon is the sweet spot.
| Spec | Nikon NIKKOR Z DX 50-250mm f/4.5-6.3 VR | Sigma Contemporary 18-50mm f/2.8 DC DN | Tamron Di III 17-70mm f/2.8 Di III-A VC RXD | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E PZ 16-50mm f/3.5-5.6 OSS | Canon RF RF28-70mm F2.8 IS STM |
|---|---|---|---|---|---|---|
| Focal Length | 50-250mm | 18-50mm | 17-70mm | 12-35mm | 16-50mm | 28-70mm |
| Max Aperture | f/6.3 | f/2.8 | f/2.8 | f/2.8 | f/3.5 | f/22 |
| Mount | Nikon Z | Sony E | Sony E | Micro Four Thirds | Sony E | Canon RF |
| Stabilization | true | false | true | true | true | true |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 454 | 290 | 544 | 306 | 107 | 495 |
| AF Type | Stepping Motor | stepping motor | RXD | Autofocus | Autofocus | STM |
| Lens Type | telephoto | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Товар | AF | Bokeh | Build | Macro | Optical | Aperture | Versatility | Відгуки користувачів | Stabilization |
|---|---|---|---|---|---|---|---|---|---|
| Nikon NIKKOR Z DX 50-250mm f/4.5-6.3 VR | 85.6 | 55.6 | 58 | 43.6 | 88.4 | 55.9 | 93.4 | 33.8 | 96.7 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 85.6 | 84.2 | 85.4 | 91.4 | 81.3 | 86.2 | 78.6 | 89.7 | 36.2 |
| Tamron Di III 17-70mm f/2.8 Di III-A VC RXD Compare | 53.8 | 88.9 | 67.5 | 85.4 | 90.5 | 86.2 | 89.6 | 85.4 | 81.5 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.8 | 84.2 | 84.7 | 50.2 | 85.8 | 86.2 | 80.6 | 85.4 | 96.7 |
| Sony E PZ 16-50mm f/3.5-5.6 OSS Compare | 53.8 | 78.2 | 98.3 | 43.1 | 66.7 | 79.9 | 83.4 | 80.7 | 92.9 |
| Canon RF RF28-70mm F2.8 IS STM Compare | 85.6 | 24.5 | 71.1 | 80 | 85.8 | 21.5 | 77.4 | 89.7 | 98.5 |
Ціна
Value & Pricing
Pricing is all over the place right now. In the US, we're seeing listings from USD 305 to USD 585, which is a huge spread for the same lens. The best deal we found is on Newegg, where the refurbished and bundle listings tend to sit at the lower end of that range. In Canada, prices range from CAD 421 to CAD 540, again with Newegg offering the most competitive pricing. If you're paying more than USD 350 for this lens new, you're probably overpaying. The real value play is buying it as part of a Z50 kit, where it effectively costs you a lot less than buying it standalone.
Amazon 1 пропозиція Від 3 889 BRL
Ми відстежуємо ціни на цей товар з 3 трав. 2026 р.. Графік з'явиться, коли буде більше даних.
Докладніше
Overview
The Nikon NIKKOR Z DX 50-250mm f/4.5-6.3 VR is Nikon's budget telephoto zoom for DX-format Z mirrorless cameras like the Z50, Zfc, and Z30. It gives you a 75-375mm equivalent reach in a body that weighs just 404g, which is frankly ridiculous for a lens that can pull distant subjects that close. It's the kind of lens that lives in a camera bag as the 'just in case' option and ends up getting used way more than you'd expect.
People searching for this lens usually want to know two things: is it sharp enough, and is the VR actually useful? The short answers are yes and absolutely. The optical design uses 16 elements in 12 groups, including one ED element and three aspherical elements, and Nikon's Super Integrated Coating keeps flare under control. The 5-stop VR stabilization is a standout feature at this price, and it's one of the best implementations we've seen in a consumer telephoto zoom.
At USD 305 to USD 585 depending on where you buy, this lens sits firmly in the affordable telephoto category. It's often bundled as a kit lens with the Z50, and honestly, that's the smart way to get it. Buying it separately costs more, and several owners point that out pretty bluntly.
Common Questions
Q: Is the Nikon Z DX 50-250mm good for wildlife photography?
For casual wildlife shooting, yes. The 375mm equivalent reach and 5-stop VR let you handhold shots of distant subjects in good light. Just don't expect pro-level tracking or low light performance.
Q: Does the Nikon Z DX 50-250mm work on full frame Z cameras?
It will mount on full frame Z cameras, but it's a DX lens, so you'll get a cropped image or the camera will automatically switch to DX crop mode. It's designed for APS-C sensors like the Z50, Zfc, and Z30.
Q: Is the Nikon Z DX 50-250mm weather sealed?
No, this lens has no weather sealing. If you shoot in rain, dust, or snow, you'll want to be careful or look at Nikon's S-line lenses, which offer better environmental protection.
Q: How much does the Nikon Z DX 50-250mm weigh?
It weighs 404g, which is very light for a lens with this much reach. That makes it a great travel companion for hiking or all-day shooting.
Who Should Skip This
If you shoot portraits or anything in low light, this lens will frustrate you. The f/4.5-6.3 aperture is slow, and the bokeh is nothing to write home about. Portrait shooters should look at a fast prime like the Viltrox EVO FE 85mm F2.0 or Nikon's own 50mm f/1.8 S. If you need weather sealing or a metal mount, this isn't your lens either. And if you already own a full frame Z camera, you're better off with a full frame telephoto rather than dealing with the DX crop.
Verdict
Should you buy the Nikon NIKKOR Z DX 50-250mm f/4.5-6.3 VR? If you own a Nikon Z DX camera and want a telephoto zoom without spending S-line money, yes. It's the obvious choice. The VR alone makes it worth the price, and the image quality is genuinely good for a consumer zoom.
But buy it as a kit lens if you can. Multiple owners point out that buying it separately costs significantly more, and they're right. If you're buying a Z50 or Zfc, get the two-lens kit. You'll save money and end up with a lens you'll actually use. If you already own the camera and skipped the kit, this is still worth picking up, just shop around for the best price.