Canon EOS R5 Mark II R5 Mark II Black 2024
A new stacked 45MP sensor and dedicated DIGIC Accelerator chip enable 30fps RAW bursts with minimal rolling shutter and pre-capture that records a half-second before you fully press the shutter. Eye Control AF lets you simply look at your subject to position the focus point, while 8.5-stop IBIS and internal 8K RAW video solidify its hybrid workflow credentials. This body is best for sports photographers and event shooters who need to instantly lock focus in unpredictable, fast-paced scenarios.
Snapshot
The 30-Second Version
The Canon EOS R5 Mark II hits a staggering 60fps with its electronic shutter, making it one of the fastest full-frame cameras we've ever tested. Its autofocus and 8K video are both near the top of the charts, earning 98th and 99th percentile rankings. Just be ready for average battery life and a steep learning curve, but for sheer hybrid performance, it's a knockout.
Pros & Cons
Pros
- Class-leading 60fps electronic burst shooting 100th
- Sticky, intelligent autofocus with Eye Control 99th
- Stunning 5.76m-dot EVF is a joy to use 98th
- Internal 8K 60p RAW video is top-tier 97th
- Pre-shooting mode is a lifesaver for wildlife
Cons
- No built-in GPS for geotagging
- Battery life is just average
- 30fps bursts create massive culling sessions
- Steep learning curve for new users
- Price premium over the already excellent original R5
What owners think
The Word on the Street
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
Based on 13 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
This is where the R5 Mark II flexes. The 45MP stacked sensor isn't just about resolution, it's about readout speed, and that enables the 60fps electronic burst mode. That's best-in-class territory. Even the mechanical shutter rips along at 30fps, which is a standout figure. The autofocus system with 1053 points and Eye Control AF is one of the best on the market, and our data backs that up with a 98th percentile ranking. It grabs onto subjects and sticks like glue, whether you're tracking a bird in flight or a Formula 1 car. The pre-continuous shooting mode, which buffers frames before you fully press the shutter, is a genuine game-changer for capturing unpredictable action.
Video is another massive strength. Internal 8K 60p RAW recording puts it in the 99th percentile for video capability. You also get 4K at 120fps and 1080p at 240fps for serious slow-motion work, all in 10-bit with Log profiles. The in-body stabilization is rated for 5 stops, which is strong and well above average, though not quite leading the pack. Paired with a stabilized RF lens, handheld footage looks smooth. The heat management has been improved over the original R5 too, so those long 8K recording times are actually usable now.
Specifications
Full Specifications
Sensor
| Type | BSI Stacked CMOS |
| Size | full-frame |
| Megapixels | 45 MP |
| ISO Range | 100 |
| Processor | DIGIC Accelerator |
Autofocus
| AF Points | 1053 |
| AF Type | PhotoPhase Detection: 1053VideoPhase Detection: 975 |
| Eye AF | Yes |
| Animal AF | Yes |
| Subject Detection | Yes |
Shooting
| Burst (Mechanical) | 30 |
| Burst (Electronic) | 60 |
| Max Shutter | 1/32000 |
| Electronic Shutter | Yes |
Video
| Max Resolution | 8K |
| 4K FPS | 120 |
| 1080p FPS | 240 |
| 10-bit | Yes |
| Log Profile | Yes |
| RAW Video | Yes |
| Codec | H.264, H.265, XF-AVC S, XF-HEVC S |
Display & EVF
| Screen Size | 3.2" |
| Touchscreen | Yes |
| Articulating | Yes |
| EVF Resolution | 5.76 M dots |
Build
| Weather Sealed | Yes |
| Weight | 0.6 kg / 1.3 lbs |
Connectivity
| Wi-Fi | Yes |
| Bluetooth | Yes |
| USB | USB-C 3.1/3.2 Gen 2 |
| HDMI | HDMI Output |
| Hot Shoe | Yes |
vs Competition
Stacked against the competition, the R5 Mark II carves out a unique spot. The Sony a1 II is its most direct rival, offering a similar 50MP stacked sensor and blazing speed, but the Canon's Eye Control AF and 8K 60p RAW give it a slight edge in usability and video specs. The Nikon Z9 is a bigger, heavier body with a built-in grip and superior battery life, but it lacks the Canon's compact form factor and high-res pixel count. For pure video, the Panasonic GH7 is a strong contender with its internal ProRes, but its Micro Four Thirds sensor can't match the full-frame look and low-light performance of the R5 Mark II. The Fujifilm X-H2 offers a 40MP sensor for a lot less money, but its autofocus and burst speeds aren't in the same league. The Canon is the pick for someone who refuses to compromise on resolution or speed.
| Spec | Canon EOS R5 Mark II R5 Mark II | Sony a1 a1 II | Fujifilm X-H2 X-H2 | Nikon Z Z9 | Panasonic LUMIX GH7 GH7 | OM System OM-1 Mark II OM-1 Mark II |
|---|---|---|---|---|---|---|
| Type | mirrorless | mirrorless | mirrorless | mirrorless | mirrorless | mirrorless |
| Sensor | 45MP full-frame | 50.1MP full-frame | 40.2MP aps-c | 45.7MP full-frame | 25.2MP micro-four-thirds | 20.4MP micro-four-thirds |
| AF Points | 1053 | 759 | 425 | 493 | 315 | 1053 |
| Burst FPS | 30 | 30 | 20 | 30 | 75 | 120 |
| Video | 8K @120fps | 8K @120fps | 8K @60fps | 8K @120fps | 6K @120fps | 4K @60fps |
| IBIS | true | true | true | true | true | true |
| Weather Sealed | true | true | true | true | true | true |
| Weight (g) | 588 | 658 | 579 | 1160 | 721 | 511 |
| Compare | Compare | Compare | Compare | Compare |
| Product | Af | Evf | Build | Burst | Video | Sensor | Battery | Display | User Sentiment | Social Proof | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Canon EOS R5 Mark II R5 Mark II | 98.1 | 96.9 | 93.9 | 92.5 | 99.1 | 61.8 | 44.7 | 99.7 | 82.7 | 86.7 | 82.9 |
| Sony a1 a1 II Compare | 94.9 | 98.5 | 96.4 | 89.9 | 98.6 | 66.6 | 91.4 | 99.4 | 62.9 | 96.7 | 99.5 |
| Fujifilm X-H2 X-H2 Compare | 86.2 | 95.1 | 89.1 | 83.9 | 94.6 | 98.2 | 96.6 | 81.1 | 82.7 | 91.8 | 92.9 |
| Nikon Z Z9 Compare | 88.8 | 87.5 | 99.6 | 96 | 98.6 | 62.9 | 97.1 | 81.1 | 98 | 91.8 | 82.9 |
| Panasonic LUMIX GH7 GH7 Compare | 81.9 | 85.8 | 97.5 | 94.9 | 96.6 | 54.3 | 88.5 | 81.1 | 93.3 | 78.3 | 95.7 |
| OM System OM-1 Mark II OM-1 Mark II Compare | 98.1 | 88.2 | 88.6 | 99.8 | 82.3 | 38.2 | 93.8 | 81.1 | 0 | 75 | 99.5 |
Price
Value & Pricing
Value is a tricky conversation with a camera that sits at the top of its class. The R5 Mark II body alone ranges from $3,899 to $5,149 across vendors, a spread of $1,250 that makes shopping around a no-brainer. The Essentials+ Kit bundles in a spare battery, a bag, and a memory card, which are genuinely useful accessories you'd buy anyway. When you consider that this camera delivers 8K 60p RAW video and 60fps bursts, specs that rival dedicated cinema cameras and sports bodies costing far more, the price starts to look like a professional investment rather than an expense. For hybrid shooters who need one camera to do it all, the cost per use case is actually quite compelling.
Read more
Overview
The Canon EOS R5 Mark II is an absolute speed demon that somehow also packs a 45MP sensor. In our database, its autofocus system lands in the 98th percentile and the burst shooting hits a frankly ridiculous 60fps with the electronic shutter. That combination puts it in a class of its own for sports and wildlife shooters who need to nail the shot every single time. The stacked BSI sensor reads out fast enough to make rolling shutter a non-issue, and the new DIGIC Accelerator chip gives the already stellar Dual Pixel AF a serious intelligence boost with improved subject detection. It's not just a minor refresh, it's a meaningful leap forward from the original R5.
But all that speed comes with a learning curve. The 30fps mechanical burst is so fast that some owners say it's almost overwhelming to cull through, and beginners will find the menu system and customization options dense. The 5.76m-dot EVF is one of the best on the market, sitting in the 97th percentile, and the vari-angle touchscreen is top of the charts. Battery life is a middling performer though, and the lack of built-in GPS is a recurring annoyance for photographers who geotag their work. Still, for the pro or serious enthusiast who needs a do-it-all hybrid, this camera is hard to beat.
Common Questions
Q: How many memory card slots does the camera have?
It has two slots, one for CFexpress Type B and one for UHS-II SD. Given the massive file sizes from 45MP bursts and 8K video, you'll want a fast CFexpress card in that primary slot to keep the buffer clear.
Q: What type of viewfinder does the camera have?
It uses a 5.76m-dot OLED electronic viewfinder, which is one of the best on the market. It's a 97th percentile performer in our database, with a high refresh rate and an OVF simulation mode that makes it feel almost optical.
Q: Can the camera record slow-motion videos?
Absolutely. It can shoot 4K at 120fps and 1080p at 240fps, giving you serious slow-motion flexibility. The 4K 120p footage is especially crisp and detailed, perfect for slowing down fast action without a huge quality hit.
Who Should Skip This
Beginners and casual shooters should probably look elsewhere. The learning curve is real, and the 45MP files will chew through storage and computer processing power. If you're not regularly shooting fast action or 8K video, you're paying a premium for speed you won't use. Travel photographers will also find the battery life disappointing, it's a middling performer in our tests, and the lack of built-in GPS is a bummer for mapping your shots. A lighter, cheaper body like the Canon R6 Mark II or even a used original R5 would be a much better fit and leave cash for lenses.
Verdict
The Canon EOS R5 Mark II is a data-backed powerhouse that earns its spot near the top of our charts. It's not just a spec-sheet monster, owners consistently praise its reliable autofocus and sharp image quality. The 60fps burst and 8K RAW video are the headline acts, but it's the refined ergonomics and that gorgeous viewfinder that make it a joy to shoot with all day. Yes, the battery life is mediocre and you'll need to budget for fast CFexpress cards to handle the data rates, but these are minor trade-offs for a camera that performs at this level. If you're a working pro in sports, wildlife, or high-end video production, this is one of the absolute best tools you can buy right now.