Sony E PZ 16-50mm f/3.5-5.6 OSS 50mm

Sony E PZ 16-50mm f/3.5-5.6 OSS 50mm

Sony
90 Overall Score
vs
Zeiss Touit 12mm f/2.8 12mm

Zeiss Touit 12mm f/2.8 12mm

Zeiss
53 Overall Score

What Buyers Say

Sony E PZ 16-50mm f/3.5-5.6 OSS 50mm

85 out of 100 medium confidence 22 reviews

The Sony DT 16-50mm F2.8 SSM lens is a notable upgrade from the kit 18-55mm, offering a constant fast aperture, silent autofocus, and superior image quality. Users praise its sharpness, bokeh, and build, though they note it is heavier and bulkier. A few refurbished units had minor scratches or early malfunction, but overall the lens is highly recommended for Sony Alpha APS-C cameras.

Pros
  • Constant F2.8 aperture
  • Fast and silent autofocus
  • Excellent image sharpness and contrast
  • Pleasing bokeh
  • Solid build quality
Cons
  • Heavy and bulky
  • Some units have early malfunctions
  • Not compatible with full-frame cameras
  • Moderate flare issue
  • Limited zoom range to 50mm
👍 Image quality 9
👍 Build quality 8
👍 Autofocus performance 5
👎 Weight and size 6
👍 Value for money 4
🤔 Refurbished condition 6

Zeiss Touit 12mm f/2.8 12mm

82 out of 100 medium confidence 19 reviews

The Zeiss Touit 12mm f/2.8 lens is widely praised for its exceptional sharpness, color rendition, and build quality, making it a favorite for landscape and interior photography. Users appreciate the minimal distortion and excellent flare control, though many note the autofocus is slow and noisy, and manual focus also produces motor sounds. Some find it pricey but worth the investment for the optical quality, while a few express disappointment over the lack of a depth-of-field scale and noisy operation.

Pros
  • Exceptional sharpness
  • Excellent color rendition
  • Minimal distortion
  • Great flare control
  • Solid build quality
Cons
  • Slow and noisy autofocus
  • Loud manual focus motor
  • No depth-of-field scale
  • Expensive
  • Lens caps of poor quality
👍 Image quality 14
👎 Autofocus performance 6
👍 Build quality 8
👎 Noise level 5
🤔 Value for money 6
👍 Distortion control 4

Scores

Travel
Sony
98
Zeiss
47
Street
Sony
90
Zeiss
51
Budget
Sony
86
Zeiss
46
Video Cinema
Sony
84
Zeiss
44
Wildlife Sports
Sony
84
Zeiss
37
Portrait
Sony
83
Zeiss
38
Landscape
Sony
82
Zeiss
47
Professional
Sony
78
Zeiss
46
Macro
Sony
66
Zeiss
63

Specifications

Sony E PZ 16-50mm f/3.5-5.6 OSS 50mmZeiss Touit 12mm f/2.8 12mm
Optics
Typezoomwide-angle
Focal Length Min16 mm12 mm
Focal Length Max50 mm12 mm
Elements911
Groups88
Aspherical Elements4★1
ED Elements1★0
Coating—T* anti-reflective coating
Aperture
Max Aperturef/3.5f/22
Min Aperture3.5-5.6f/2.8
Constant✗✓★
Diaphragm Blades79★
Build
MountSony ESony E
FormatAPS-CAPS-C
Weather Sealed✓★✗
Weight0.11 kg★0.26 kg
Filter Thread41 mm67 mm
AF & Stabilization
AF TypeAutofocusAuto Focus
Stabilization✓★✗
Stabilization Stops4 stops★—
Focus
Min Focus Distance250 mm180 mm★
Max Magnification0.215x1:2★

Pros & Cons

Sony E PZ 16-50mm f/3.5-5.6 OSS 50mm

  • Strong build (98th percentile)98th %ile
  • Strong stabilization (92nd percentile)92nd %ile
  • Strong versatility (83rd percentile)83rd %ile
  • Strong aperture (83rd percentile)83rd %ile

Zeiss Touit 12mm f/2.8 12mm

  • Strong macro (84th percentile)84th %ile
  • Strong build (78th percentile)
  • Strong social proof (71st percentile)
  • Below average aperture (22nd percentile)
  • Below average bokeh (25th percentile)
  • Below average versatility (33rd percentile)
  • Below average stabilization (34th percentile)

Pricing

Sony E PZ 16-50mm f/3.5-5.6 OSS 50mm

No current pricing available

Zeiss Touit 12mm f/2.8 12mm

Verdict

★ Winner: Sony E PZ 16-50mm f/3.5-5.6 OSS 50mm

Scores 90 overall, wins 9 of 9 usage categories and 6 of 22 specs.

Sony E PZ 16-50mm f/3.5-5.6 OSS 50mm Better at:

MacroBudgetStreetTravelPortraitLandscapeProfessionalVideo CinemaWildlife Sports

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